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Last updated: 15 Jun 2026 at 12:32 UTC

Movie Reviews by Kate Erbland - Page 10 of 35

181-200 of 681 Reviews

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Review of Judas and the Black Messiah (2021)

By Kate Erbland (681) for IndieWire (3,631) on 01 Feb 2021

Mostly, though, it’s Kaluuya and Stanfield — two actors who seem destined to be hailed for career-best turns with every subsequent project…

Review of Passing (2021)

By Kate Erbland (681) for IndieWire (3,631) on 01 Feb 2021

Hall made many good choices for her debut — her entire crafts department turned in rich period production elements — but the casting of…

Review of Passing (2021)

By Kate Erbland (681) for IndieWire (3,631) on 01 Feb 2021

Hall made many good choices for her debut — her entire crafts department turned in rich period production elements — but the casting of…

Review of How It Ends (2021)

By Kate Erbland (681) for IndieWire (3,631) on 31 Jan 2021

The pandemic spawned plenty of run-and-gun projects…

Review of Coda (2021)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jan 2021

It’s a crowd-pleaser that works its formula well, even as it breaks new ground…

Review of CODA (2021)

By Kate Erbland (681) for IndieWire (3,631) on 30 Jan 2021

It’s a crowd-pleaser that works its formula well, even as it breaks new ground…

Review of Fatale (2020)

By Kate Erbland (681) for IndieWire (3,631) on 18 Dec 2020

What’s most deadly about Taylor’s latest isn’t a miscast Swank or her character’s demented arc, or even the uncomfortable Ealy and…

Review of Wonder Woman 1984 (2020)

By Kate Erbland (681) for IndieWire (3,631) on 15 Dec 2020

Wonder Woman 1984 is all about playing with magic and wishes and desires, only to see them lead to horrible ramifications, instant gratification,…

Review of The Stand In (2020)

By Kate Erbland (681) for IndieWire (3,631) on 09 Dec 2020

Whatever The Stand In wants to announce itself as, no amount of bald-faced lies and winking observations about Hollywood can change what it…

Review of The Stand-In (2020)

By Kate Erbland (681) for IndieWire (3,631) on 09 Dec 2020

Whatever The Stand In wants to announce itself as, no amount of bald-faced lies and winking observations about Hollywood can change what it…

Review of Godmothered (2020)

By Kate Erbland (681) for IndieWire (3,631) on 02 Dec 2020

Godmothered has all the pieces for at least an amiable enough production…

Review of The Croods: A New Age (2020)

By Kate Erbland (681) for IndieWire (3,631) on 23 Nov 2020

The Croods: A New Age ultimately spins that off into a wacky adventure that somehow involves aforementioned punch monkeys (cute, but very punchy…

Review of Black Beauty (2020)

By Kate Erbland (681) for IndieWire (3,631) on 23 Nov 2020

Sewell’s book has always been a better fit for piecemeal storytelling — the book itself is divided up by Beauty’s owners — and while…

Review of Chick Fight (2020)

By Kate Erbland (681) for IndieWire (3,631) on 12 Nov 2020

While the premise of Chick Fight may be featherweight, it’s the film’s phony feminist execution that turns it into a real loser…

Review of The Dark and the Wicked (2020)

By Kate Erbland (681) for IndieWire (3,631) on 04 Nov 2020

Despite a strong start, Bertino’s grim and gruesome The Dark and the Wicked never coalesces into anything more than a collection of chilling…

Review of Freaky (2020)

By Kate Erbland (681) for IndieWire (3,631) on 04 Nov 2020

Freaky has enough snappy fun to keep it ticking along to the inevitable “shock” ending, forcing together two delightful powerhouses in…

Review of Kindred (2020)

By Kate Erbland (681) for IndieWire (3,631) on 03 Nov 2020

The imagery and impact of Kindred is impressive, and while it may not stick the landing, the path there is well worth flying…

Review of Kindred (2020)

By Kate Erbland (681) for IndieWire (3,631) on 03 Nov 2020

The imagery and impact of Kindred is impressive, and while it may not stick the landing, the path there is well worth flying…

Review of Holidate (2020)

By Kate Erbland (681) for IndieWire (3,631) on 28 Oct 2020

Predictability doesn’t have to be a sin when it comes to the often paint-by-the-numbers world of romantic comedy, but this awkward combination…

Review of The Craft: Legacy (2020)

By Kate Erbland (681) for IndieWire (3,631) on 27 Oct 2020

The result is an entertaining and insightful mashup of tropes, both respectful of what came before and willing to try new tricks…

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Kate Erbland has written reviews for:

The Playlist (3,871)
Indiewire (3,631)
Boxoffice Magazine (2,896)
Film.com (1,892)
The Dissolve (1,478)
Film School Rejects (1,198)
MSN Movies (470)

Kate Erbland is connected to:

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