Movie Reviews by Justin Chang - Page 6 of 77

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Review of Hustle (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 08 Jun 2022

Its interest in the injustices and compromises of the sports world run secondary, in the end, to its greater priority, which is to find a place…

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Review of Jurassic World Dominion (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 08 Jun 2022

It’s astonishing how little tension or even momentary menace Trevorrow is able to mine from individual action sequences, how tame even T…

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Review of Benediction (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 02 Jun 2022

Benediction, Terence Davies’ achingly beautiful portrait of the English war poet and soldier Siegfried Sassoon, is a movie of acute sadness…

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Review of Benediction (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 02 Jun 2022

Benediction, Terence Davies’ achingly beautiful portrait of the English war poet and soldier Siegfried Sassoon, is a movie of acute sadness…

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Review of Elvis (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 25 May 2022

To complain that “Elvis” is basically a compilation of musical-biopic conventions is a bit like complaining about a greatest-hits album;…

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Review of Crimes of the Future (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 23 May 2022

It’s marvelous to have Cronenberg back and to behold his undimmed, unparalleled skill at welding the formulations of horror and science fiction…

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Review of Three Thousand Years of Longing (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 22 May 2022

The individual tales, though ornamented with all manner of fabulous CGI curlicues, are overly busy and only mildly involving, and “Three…

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Review of Triangle of Sadness (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 22 May 2022

In the blunt, sprawling, nearly 2 1/2-hour Triangle of Sadness, [Östlund] ascends to new levels of moral disgust while descending to new lows…

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Review of Downton Abbey: A New Era (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 19 May 2022

This one, written by Fellowes and directed by Simon Curtis (“My Week With Marilyn,” “Woman in Gold”) with the same workmanlike efficiency,…

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Review of Armageddon Time (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 19 May 2022

It doesn’t evade every trap or trapping of convention, but its tenderness of touch is matched by a remarkable toughness of mind…

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Review of Top Gun: Maverick (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 12 May 2022

Thanks to Cruise and Kosinski’s unfashionable insistence on practical filmmaking and their refusal to lean too heavily on computer-generated…

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Review of Vortex (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 06 May 2022

It is a remarkable piece of filmmaking, rigorously controlled in ways that he doesn’t always evince: It’s a bone-deep sensory immersion…

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Review of Vortex (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 06 May 2022

It is a remarkable piece of filmmaking, rigorously controlled in ways that he doesn’t always evince: It’s a bone-deep sensory immersion…

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Review of Doctor Strange in the Multiverse of Madness (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 03 May 2022

Raimi’s sheer passion for his material can sometimes overwhelm the coherence of his storytelling, and his unfashionable sincerity doesn’t…

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Review of Petite Maman (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 21 Apr 2022

Petite Maman generates continual surprise and delight, paradoxically, by treating even the strangest circumstances with a wry matter-of-factness…

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Review of The Northman (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 20 Apr 2022

Like his memorable period freakouts “The Witch” and “The Lighthouse,” though on a vastly more ambitious scale, The Northman is both…

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Review of Paris, 13th District (2021)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 15 Apr 2022

Mostly, Audiard leans assuredly on his actors, gently pushing each one toward a simple, ordinary, never-irrelevant question — what does your…

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Review of Navalny (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 12 Apr 2022

The geopolitical landscape has changed dramatically in the last few months since this sleek, smartly assembled and almost indecently entertaining…

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Review of Everything Everywhere All at Once (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 24 Mar 2022

Crammed with ideas, jokes, laments, non sequiturs and some terrific actors you’ve seen before (if not nearly enough), the movie comes at…

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Review of The Lost City (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 24 Mar 2022

The poster made it look kind of fun, and lo and behold, it is…

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Page 6 of 77

Justin Chang has written reviews for:

Los Angeles Times (12,977)
Variety (12,700)
Time (1,811)
NPR (1,713)
Slashfilm (971)

Justin Chang is connected to:

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