Movie Reviews by Jordi Costa - Page 2 of 11

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Review of Mandy (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 08 Nov 2018

The mythical journey progresses from dreamlike somnambulism to abstraction avoiding articulating itself as a conventional story…

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Review of Dogman (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 08 Nov 2018

Marcello Fonte, with his helpless look, turns his character into a real work of art. [Full Review in Spanish]…

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Review of Not the End (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 02 Nov 2018

The elegance of the outcome partly compensates for the hesitations. [Full Review in Spanish]…

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Review of Halloween (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 25 Oct 2018

However, it is Myers' first walk during the Halloween soiree, and his precise handling of the off-field, which reveals not only the high commitment…

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Review of Peppermint (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 18 Oct 2018

One gets the impression that the only aspiration was to be a mediocre thriller. That shoot out at a piñata warehouse! [Full Review in Spanish]…

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Review of The House with a Clock in Its Walls (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 11 Oct 2018

The film reveals Eli Roth hesitantly as a family film director, although the originality of the story compensates for his episodic energy drops…

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Review of Climax (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 11 Oct 2018

A unique work that tries to break free spasmodically from all narrative. [Full Review in Spanish]…

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Review of Gauguin: Voyage to Tahiti (2017)

By Jordi Costa (207) for El Pais (Spain) (511) on 04 Oct 2018

Paul Gauguin's Tahitian paintings helped to forge in the West an imaginary of the southern seas as the territory of the getaway…

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Review of A Star Is Born (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 04 Oct 2018

The elegance with which Bradley Cooper solves the tragic end of the protagonist in his directorial debut seems to anticipate that after this…

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Review of Venom (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 04 Oct 2018

Venom does not know if it wants to be a movie about a superhero or about a supervillain. Or a 'buddy movie' of man and symbiote…

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Review of A Simple Favor (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 27 Sep 2018

It is a perfect example of a type of increasingly unusual proposal: commercial film with personality. [Full Review in Spanish]…

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Review of Hell Fest (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 27 Sep 2018

Gregory Plotkin rescues the spirit of 'The House of Horrors' with this 'Hell Fest' that proposes the last word in scares of barracks…

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Review of Mile 22 (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 27 Sep 2018

Berg seems to have forgotten that people did consider him to be a promising filmmaker. [Full Review in Spanish]…

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Review of The Captain (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 19 Sep 2018

The film reveals an unexpected high on the road within the career of Robert Schwentke: a highly personal project. [Full Review in Spanish]…

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Review of Mrs. Hyde (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 19 Sep 2018

Bozon has always been fond of the vivacity of classic cinema - he development of a film of sparkling calligraphy, where treasonous camera movements…

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Review of The Nun (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 05 Sep 2018

When James Wan arrived to liven up the horror landscape…

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Review of The Seagull (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 29 Aug 2018

The camera movements cannot service the unconditional delivery of a cast that seems to have received this opportunity and run with it…

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Review of Mom and Dad (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 29 Aug 2018

Nicolas Cage is a seductive singularity: while consensual taste considers him one of the worst active actors, his fans create fanzines to their…

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Review of The Seagull (2018)

By Jordi Costa (207) for El Pais (Spain) (511) on 29 Aug 2018

The camera movements cannot service the unconditional delivery of a cast that seems to have received this opportunity and run with it…

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Review of Revenge (2017)

By Jordi Costa (207) for El Pais (Spain) (511) on 26 Aug 2018

Revenge reveals a filmmaker in full command of her language transforming the way of filming her female protagonist in her progressive step…

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Page 2 of 11

Jordi Costa has written reviews for:

El Pais (Spain) (511)

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