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Last updated: 26 Jul 2026 at 15:26 UTC

Movie Reviews by Jonathan Rosenbaum - Page 82 of 83

1,621-1,640 of 1,657 Reviews

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Review of Lock Up (1989)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 26 Apr 1990

For torture and violence freaks, every clank and thud is duly and hyperbolically registered…

Review of The Manchurian Candidate (1962)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 28 Feb 1990

A veritable salad of mixed genres and emotional textures, this exciting black-and-white cold war thriller runs more than two hours and never…

Review of All of Me (1984)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 08 Nov 1989

All in all, an unusually amiable and well-made comedy…

Review of Scandal (1989)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 27 Apr 1989

What makes this movie so absorbing is its heady celebration of London during this period, as well as a healthy enjoyment of the erotic elements…

Review of Repulsion (1965)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 24 Oct 1988

Roman Polanski's first film in English (1965, 105 min.) is still his scariest and most disturbing--not only for its evocations of sexual panic,…

Review of Rear Window (1954)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 13 Oct 1988

Perhaps Alfred Hitchcock's greatest movie…

Review of High and Low (1963)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 11 Sep 1988

I would nominate this authoritative 1962 adaptation of Ed McBain’s novel The King’s Ransom as Akira Kurosawa’s best nonperiod picture,…

Review of The Sundowners (1960)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 10 Feb 1988

A touching Fred Zinnemann movie (1960) about an Australian sheepherding family…

Review of Mommie Dearest (1981)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 27 Nov 1987

This adaptation of Christina Crawford's memoir about her driven, abusive mother is arguably too good to qualify as camp, even if it begins…

Review of All Quiet on the Western Front (1930)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 22 Aug 1986

Lewis Milestone's powerful 1930 adaptation of Erich Maria Remarque's antiwar novel, starring Lew Ayres and Louis Wolheim, deserves its reputation…

Review of The Paper Chase (1973)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 15 Apr 1986

Assisted by Gordon Willis's cinematography and John Houseman's performance as the demanding Professor Kingsfield, director James Bridges manages…

Review of Mutiny on the Bounty (1962)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 14 Nov 1985

This three-hour 1962 remake of the Charles Laughton-Clark Gable MGM classic (1935) was the first production in which Marlon Brando really ran…

Review of Dog Day Afternoon (1975)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 14 Apr 1985

One of Sidney Lumet's best jobs of directing and one of Al Pacino's best performances (as a bisexual bank robber) come together in a populist…

Review of The Killing (1956)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 23 Jun 1984

Orson Welles was so taken with this film that after seeing it he declared Kubrick could do no wrong; not to be missed…

Review of The Raven (1935)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 08 Jun 1984

The direction of this clammy 1935 horror item is credited to Louis Friedlander, which is actually Lew Landers in hiding—perhaps understandably…

Review of The Big Red One (1980)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Apr 1984

A grand-style, idiosyncratic war epic, with wonderful poetic ideas, intense emotions, and haunting images rich in metaphysical portent…

Review of Night Moves (1975)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 12 Jan 1983

One of Penn's best features; his direction of actors is sensitive and purposeful throughout…

Review of Straight Time (1978)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 15 Sep 1982

Despite some signs of muddle and uncertainty, this is a surprisingly strong picture about a convict (Hoffman) on parole in LA learning what…

Review of Gimme Shelter (1970)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 20 May 1981

A strong example of the cinema verite style at work, yet few films of the school show up the crisis of its noninvolvement policy more tellingly…

Review of Asylum (1972)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 30 Nov 1980

David Mackenzie, who directed the remarkable Scottish drama Young Adam (2003), delivers another masterful, disturbing tale of illicit passion,…

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