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Last updated: 27 Jul 2026 at 11:13 UTC

Movie Reviews by Jonathan Rosenbaum - Page 75 of 83

1,481-1,500 of 1,657 Reviews

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Review of The Incredible Shrinking Man (1957)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

The surreal intensity of outsize objects that loom as the hero shrinks is handled effectively, and the mystical happy ending is a better payoff…

Review of The Patriot (2000)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

Reflects our wish to redeem ourselves through sacrifice…

Review of Le Beau Serge (1959)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

It has a certain fascination as Chabrol's first practical (as opposed to critical) encounter with mise en scene…

Review of Pigsty (1969)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

This isn't one of Pasolini's greatest films, though it's possibly the one that today best shows the warp and woof of its period…

Review of Girlfight (2000)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

While Kusama champions masculinity in women, she offsets it with a range of gender identities and a keen sense of milieu…

Review of Putney Swope (1969)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

If you're in a silly enough mood, you might have a good time…

Review of The Outlaw (1943)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

One of the weirdest westerns of all time, reflecting the eccentricities of its producer and credited director, Howard Hughes…

Review of Small Soldiers (1998)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

I can't think of a Hollywood entertainment I've enjoyed as much all year, and both audiences I saw the movie with seemed delighted as well…

Review of Medea (1969)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

Pier Paolo Pasolini's disappointing 1970 version of the Greek tragedy…

Review of Titanic (1984)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

All things considered, Titanic is old-fashioned epic filmmaking that carries a wallop…

Review of Star Wars (1977)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

If you want to see the movie that made mild diversion for ten-year-old boys the model of commercial filmmaking, ruling out nuanced characterization…

Review of Avanti (2012)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

This 1972 release is the most underrated of all Billy Wilder comedies and arguably the one that comes closest to the sweet mastery and lilting…

Review of Mission: Impossible (1996)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

Every effect is so calculated that only the conscious minds of filmmakers and viewers are engaged--and not by very much or for very long…

Review of Harry and Tonto (1974)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

You may find much of this, despite the apparent sincerity, too cutesy and self-satisfied for its own good…

Review of Shaking the Tree (1991)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

If you've nothing else to do, it goes down easily, but don't expect much more…

Review of From the Terrace (1960)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

A tolerable (if interminable) piece of mediocrity from 1960…

Review of Car Wash (1976)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

Critics seemed to like this less than audiences; personally I had a ball…

Review of That Cold Day in the Park (1969)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

Robert Altman's inauspicious first theatrical feature -- recognizably his work, meandering zooms and all, but the material is somewhat pretentious…

Review of The Day of the Locust (1975)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

A painfully misconceived reduction and simplification by writer Waldo Salt and director John Schlesinger of the great Nathanael West novel…

Review of Number Two (1975)

By Jonathan Rosenbaum (1,657) for Chicago Reader (7,190) on 01 Jan 2000

In many respects, this is a film about reverse angles and all that they imply; it forms one of Godard's richest and most disturbing meditations…

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