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Last updated: 25 Jul 2026 at 07:17 UTC

Movie Reviews by Jonathan Romney - Page 3 of 22

41-60 of 434 Reviews

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Review of Bergman Island (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 13 Jul 2021

It’s a film made with honesty, integrity and a certain grace, but it can’t quite overcome an earnestness that was never a problem in Hansen-Love’s…

Review of Compartment No. 6 (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 12 Jul 2021

Compartment No. 6 is something of a minimalist shaggy dog story, ending on a bittersweet low-key note…

Review of After Yang (2022)

By Jonathan Romney (434) for Screen Daily (1,021) on 09 Jul 2021

A beautifully executed, intellectually searching and sometimes droll futuristic drama…

Review of Annette (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 06 Jul 2021

The ultimate problem with this flamboyant, yet oddly oppressive-feeling film is Carax’s bleakly Romantic world view – even working with…

Review of What Do We See When We Look at the Sky? (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 05 Mar 2021

In the sheer exuberance of its exploratory spirit, Koberidze’s film is very much of benefit to cinema – and any who feared that the art…

Review of Bad Luck Banging or Loony Porn (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 03 Mar 2021

Whatever the film’s flaws, this is certainly the most unrepentantly confrontational work we’ve yet seen from Jude - and perhaps from any…

Review of In the Earth (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 31 Jan 2021

By the time Wheatley, who also edited, concludes with a full-on eye-searing weird-out, it’s hard not to feel that he is retreading old ground…

Review of Collective (2019)

By Jonathan Romney (434) for Screen Daily (1,021) on 03 Nov 2020

In its narrative tautness, this documentary can hold its own alongside the best of Romania’s contemporary fiction…

Review of Crazy, Not Insane (2020)

By Jonathan Romney (434) for Screen Daily (1,021) on 27 Oct 2020

The film offers an engrossing overview of the painstaking, insightful investigations carried out over the years by Lewis and associates…

Review of Mainstream (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 20 Sep 2020

Not so much bleeding edge as screeching edge, Gia Coppola’s Mainstream is a frenetic piece of pop-art social satire that strives to be super-current…

Review of Run Hide Fight (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 16 Sep 2020

An unapologetic old-school exploiter going full on for thrills and suspense, it’s undeniably polished and energetic, and features a couple…

Review of The World to Come (2021)

By Jonathan Romney (434) for Screen Daily (1,021) on 14 Sep 2020

Scripted with heightened literary cadences by Ron Hansen and Jim Shepard, the film is well crafted in every respect, and marks an acting career…

Review of Dear Comrades! (2020)

By Jonathan Romney (434) for Screen Daily (1,021) on 12 Sep 2020

The film’s magnetic centre is a strong performance from Vysotskaya, working from a base line of initial testiness to rising anxiety and terror…

Review of One Night in Miami... (2020)

By Jonathan Romney (434) for The Guardian (2,969) on 12 Sep 2020

This is undeniably a very theatrical film, but it never hides that – indeed, it makes the most of a certain claustrophobia…

Review of Tenet (2020)

By Jonathan Romney (434) for Los Angeles Times (12,977) on 21 Aug 2020

It’s basically espionage adventure, but with a science fiction backbone: Nolan ups the ante on “Mission: Impossible” by making the impossibility…

Review of Shirley (2020)

By Jonathan Romney (434) for Screen Daily (1,021) on 25 Feb 2020

Shirley will find an eager audience at a cultural moment which increasingly values emotional expression…

Review of Color Out of Space (2020)

By Jonathan Romney (434) for Screen Daily (1,021) on 23 Jan 2020

The result is a cheerfully lurid mess that goes goofily off the rails after a slow build, and will offer few surprises for adepts of Lovecraft…

Review of What She Said: The Art of Pauline Kael (2019)

By Jonathan Romney (434) for Screen Daily (1,021) on 01 Dec 2019

Garver’s film is above all a celebration of the pleasure of intellectual and emotional response to art (“To be paid for thinking is a marvellous…

Review of Celebration (2019)

By Jonathan Romney (434) for Screen Daily (1,021) on 07 Oct 2019

An elegant, sometimes eerie film, Celebration does not editorialise: its only implicit commentary is a futuristic electronic score, which suggests…

Review of Celebration (2019)

By Jonathan Romney (434) for Screen Daily (1,021) on 07 Oct 2019

An elegant, sometimes eerie film, Celebration does not editorialise: its only implicit commentary is a futuristic electronic score, which suggests…

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