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Last updated: 26 Jul 2026 at 22:12 UTC

Movie Reviews by John Anderson - Page 2 of 68

21-40 of 1,358 Reviews

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Review of Luther: The Fallen Sun (2023)

By John Anderson (1,358) for Wall Street Journal (3,071) on 23 Mar 2023

With enough suspense, action and violence for crime-thriller fans and enough Idris Elba for Idris Elba fans, Luther: The Fallen Sun needn’t…

Review of Reggie (2023)

By John Anderson (1,358) for Wall Street Journal (3,071) on 23 Mar 2023

If you’re looking for the exhaustive movie bio on Reggie Jackson, look elsewhere: He’s in this thing for one reason only…

Review of The Strays (2023)

By John Anderson (1,358) for Wall Street Journal (3,071) on 23 Feb 2023

The Strays, the feature-film debut of British writer-director Nathaniel Martello-White, is an engrossing, disturbing and even novel work, though…

Review of We Have a Ghost (2023)

By John Anderson (1,358) for Wall Street Journal (3,071) on 23 Feb 2023

There’s a scary amount of stuff going on in writer-director Christopher Landon’s horror movie/murder mystery/domestic drama/deep-state…

Review of Your Place or Mine (2023)

By John Anderson (1,358) for Wall Street Journal (3,071) on 09 Feb 2023

We can all see where this is going…

Review of The Pale Blue Eye (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 12 Jan 2023

The gothic sense of unease that informs the early stages of The Pale Blue Eye gives way to hysteria—not the kind that Poe used to underlie…

Review of Wildcat (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 29 Dec 2022

Wildcat is not a fairy tale. The rigors endured by Mr…

Review of Call Me Miss Cleo (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 16 Dec 2022

As directed by Celia Aniskovich and Jennifer Brea, Call Me Miss Cleo is an affectionate portrait of a fringe character who was more a tool…

Review of Stranded: I've Come from a Plane That Crashed on the Mountains (2007)

By John Anderson (1,358) for Variety (12,700) on 12 Dec 2022

A documentary constructed from re-enactments, talking heads and no actual footage of the story it tells, but that still packs a knock-out punch…

Review of Slumberland (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 23 Nov 2022

Ms. Barkley comes across as a kid rather than a studio creation. Mr…

Review of Slumberland (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 23 Nov 2022

Ms. Barkley comes across as a kid rather than a studio creation. Mr…

Review of Master of Light (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 17 Nov 2022

Master of Light is a film not just about art and redemption but a character sorting out his life, and what he truly believes about art…

Review of Elesin Oba: The King's Horseman (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 10 Nov 2022

In a film of grand acting, flamboyant color, vaulting ambition and global conflict, the more slippery gestures contain much meaning…

Review of The Fastest Woman on Earth (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 07 Nov 2022

If you are going to watch a biographical documentary, it’s not necessarily a disadvantage to go in knowing nothing at all about the story…

Review of Selena Gomez: My Mind & Me (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 07 Nov 2022

The worthwhile Selena Gomez: My Mind & Me explains much, about the star, the culture and maybe the moment…

Review of The Independent (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 03 Nov 2022

An undercooked serving of political skulduggery that nevertheless provides a showcase for the magnetic Jodie Turner-Smith…

Review of Louis Armstrong's Black & Blues (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 27 Oct 2022

The film may not take quite as many chances with the documentary form as Armstrong took with the opening cadenza of “West End Blues” (recorded…

Review of The Good Nurse (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 27 Oct 2022

Isolated brilliance is precisely what helps The Good Nurse shine, and it could hardly be otherwise given the story…

Review of God Forbid: The Sex Scandal That Brought Down a Dynasty (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 27 Oct 2022

God Forbid may be seen as a seamy peek into a couple’s private life, an exposé about the religious right, or both…

Review of All Quiet on the Western Front (2022)

By John Anderson (1,358) for Wall Street Journal (3,071) on 27 Oct 2022

Fully understanding the war—who does…

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John Anderson has written reviews for:

Los Angeles Times (12,977)
Variety (12,700)
Washington Post (9,851)
Chicago Tribune (6,211)
Christian Science Monitor (3,788)
Indiewire (3,631)
Wall Street Journal (3,071)
Newsday (2,345)
Baltimore Sun (1,823)
Time (1,811)

John Anderson is connected to:

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