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Last updated: 25 Jul 2026 at 03:30 UTC

Movie Reviews by Jessica Kiang - Page 4 of 27

61-80 of 522 Reviews

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Review of Writing with Fire (2021)

By Jessica Kiang (522) for Variety (12,700) on 16 Sep 2021

Thomas and Ghosh have found their angle, and it’s a powerful one…

Review of The Lost Daughter (2021)

By Jessica Kiang (522) for IndieWire (3,631) on 13 Sep 2021

Gyllenhaal’s film is a story of self-ascribed transgression and of shame buried and turned bitterly inward, and it too, is made with such…

Review of The Last Duel (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 10 Sep 2021

It’s really rather heartening that Affleck, Damon, and Driver are all on such good form in betraying their gender to this degree, as they…

Review of Halloween Kills (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 08 Sep 2021

After a genuinely promising beginning, Halloween Kills, already somewhat robbed of potential suspense by the fact we all know that another…

Review of Last Night in Soho (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 04 Sep 2021

Given all that it’s got going for it – and it has Taylor-Joy descending a night club staircase in a pink halterneck swing-hem dress and…

Review of Spencer (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 03 Sep 2021

All the right people are going to hate Spencer. That’s just how good it is…

Review of Parallel Mothers (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 01 Sep 2021

In a world turned careful and considered (not by choice but by necessity) this extravagant, exuberant, magnificently messy movie, punch-drunk…

Review of Hit the Road (2021)

By Jessica Kiang (522) for Variety (12,700) on 31 Aug 2021

Like this extraordinary, ordinary family, latticed together by love yet supremely alive in their own individual hearts, Panah Panahi is not…

Review of Ida Red (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 14 Aug 2021

Here, no one seems capable of envisaging even the most immediate consequences of their increasingly vicious actions, and so where “Ida Red”…

Review of Zeros and Ones (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 14 Aug 2021

The intellectual take on the pandemic here is oblique…

Review of Beckett (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 04 Aug 2021

For a film in which John David Washington lurches, staggers, stumbles, shambles, flounders, falters, wobbles, scrabbles and totters across…

Review of LAMB (2021)

By Jessica Kiang (522) for Variety (12,700) on 26 Jul 2021

No matter how pure your intentions nor how real your pain, these ancient myths all teach us, debts always come due, and the chilling denouement…

Review of Lamb (2021)

By Jessica Kiang (522) for Variety (12,700) on 26 Jul 2021

No matter how pure your intentions nor how real your pain, these ancient myths all teach us, debts always come due, and the chilling denouement…

Review of Vortex (2022)

By Jessica Kiang (522) for The Playlist (3,871) on 17 Jul 2021

Doubtless, due to Noé’s own real-world experiences, “Vortex” is a success, if a dolorous one: a dignified, sometimes desperate tribute…

Review of Vortex (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 17 Jul 2021

Doubtless, due to Noé’s own real-world experiences, “Vortex” is a success, if a dolorous one: a dignified, sometimes desperate tribute…

Review of Titane (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 13 Jul 2021

Titane is bold in its reference points, no-holds-barred in its approach to some of the hottest-button issues of the day, and brash – and…

Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 12 Jul 2021

A work of such unparalleled Andersonian wit, that at times the sheer level of detail – mobile, static, graphic and typographic – that bedecked…

Review of Bergman Island (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 12 Jul 2021

This is an auto-auto-auto-fiction that throws out the occasional fun, cinephiliac in-joke, and teases the odd insight into creative blockage…

Review of Compartment No. 6 (2021)

By Jessica Kiang (522) for Variety (12,700) on 12 Jul 2021

The humdrum and heartswelling Compartment No…

Review of Benedetta (2021)

By Jessica Kiang (522) for The Playlist (3,871) on 09 Jul 2021

If Benedetta is a joke that Verhoeven is in on, and that is designed to play to those in on it too, we can at least be thankful that it’s…

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Jessica Kiang has written reviews for:

Los Angeles Times (12,977)
Variety (12,700)
The New York Times (9,847)
Rolling Stone (4,035)
The Playlist (3,871)
Indiewire (3,631)
BBC.com (1,500)
Sight and Sound (827)

Jessica Kiang is connected to:

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