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Last updated: 26 Jul 2026 at 09:08 UTC

Movie Reviews by Jesse Hassenger - Page 2 of 40

21-40 of 800 Reviews

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Review of Ghosted (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 20 Apr 2023

Ghosted is a little breezier and less blatantly synthetic than the plastic Red Notice or the smirky Gray Man, but put together these failed…

Review of Guy Ritchie's The Covenant (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 19 Apr 2023

Ritchie’s film is less infatuated with displays of All-American bodily sacrifice than movies like Lone Survivor and 13 Hours, but it still…

Review of Mafia Mamma (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 12 Apr 2023

Even in Kristin’s quietest, most contemplative moments, Collette can’t stop bugging her eyes or yanking down her mouth – which, to be…

Review of The Super Mario Bros. Movie (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 05 Apr 2023

Really, this is a diverting kiddie movie that struggles most visibly when attempting to graft some kind of moral sensibility onto a story that…

Review of John Wick: Chapter 4 (2023)

By Jesse Hassenger (800) for NME (146) on 23 Mar 2023

Stahelski may traffic in excess, but at least he understands it: how choreography, performance and style can make over-the-top spectacle cohere…

Review of A Good Person (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 22 Mar 2023

A Good Person winds up with the ambition of a novel, but little of the richness…

Review of Moving On (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 14 Mar 2023

As they often do, Tomlin and Fonda make their material look sharper than it really is…

Review of Scream VI (2023)

By Jesse Hassenger (800) for Polygon (677) on 08 Mar 2023

Where 2022’s Scream showed how the series could keep adapting and changing to fit new cinematic trends, this one hints at how unsustainable…

Review of Creed III (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 27 Feb 2023

Even when Creed III treads familiar ground, this series feels like the ideal outlet for the on-screen persona Jordan is building: a resilient…

Review of God's Time (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 23 Feb 2023

Antebi sets his own tone and masters it. The movie has the rush and the desperation of a fresh start…

Review of Shortcomings (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 30 Jan 2023

It’s a piercing portrayal of culturally specific nerd rage in Tomine’s comics; on film, it’s a little talky, and could’ve used more…

Review of One Fine Morning (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 27 Jan 2023

The film’s other performances aren’t as engaging as Seydoux and young Martins, which means One Fine Morning itself sometimes feels like…

Review of The Wandering Earth II (2023)

By Jesse Hassenger (800) for Polygon (677) on 21 Jan 2023

It is remarkable that his three-hour Wandering Earth prequel is simultaneously stranger and more emotionally grounded than the earlier film…

Review of Alice, Darling (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 19 Jan 2023

It’s a movie about a toxic relationship that digs into the harrowing psychological details of mental and verbal abuse without exploiting…

Review of Missing (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 17 Jan 2023

By the end, the movie feels less like a canny reflection of true-crime fascination than a weak imitation of it — screen life, reduced to…

Review of Plane (2023)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 13 Jan 2023

By laying off the action-movie gas pedal, Plane makes Butler, performing in his native Scottish accent, more warmly likable than he’s been in years…

Review of The Pale Blue Eye (2022)

By Jesse Hassenger (800) for Polygon (677) on 06 Jan 2023

At times, the movie feels like it’s having fun in spite of itself…

Review of Emancipation (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 05 Dec 2022

The movie isn’t quite evocative enough to work as effective minimalism…

Review of Devotion (2022)

By Jesse Hassenger (800) for Polygon (677) on 03 Dec 2022

This film isn’t a particularly astute portrayal of war, but it does ably depict sacrifice — something ultimately missing from the movie-star…

Review of Troll (2022)

By Jesse Hassenger (800) for Polygon (677) on 02 Dec 2022

Roar Uthaug is not a director who seems destined for greater, grander epics, and that’s one of his best qualities…

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Jesse Hassenger has written reviews for:

Time Out (7,510)
Entertainment Weekly (6,953)
The A.V. Club (5,644)
Filmcritic.com (3,164)
The Guardian (2,969)
Paste Magazine (2,906)
AV Club (2,778)
PopMatters (2,617)
Consequence of Sound (1,431)
Polygon (677)

Jesse Hassenger is connected to:

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