Movie Reviews by Javier Ocaña - Page 3 of 10

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Review of Siberia (2020)

By Javier Ocaña (196) for El Pais (Spain) (511) on 19 Jul 2018

The story stagnates with the null drawing of characters, a cadence that is not ruled out but morose, and the gratuity of certain dialogues…

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Review of The Best Summer of My Life (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 12 Jul 2018

El Mejor Verano de Mi Vida contains a similar moral sense that the successes of Martinez Soria filmed by Pedro Lazaga in the 60s and 70s: conservative…

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Review of Lola Pater (2017)

By Javier Ocaña (196) for El Pais (Spain) (511) on 12 Jul 2018

You have to stay with the interpretation of Fanny Ardant, in a surprising role of high head, lacerating look and interior torn…

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Review of No quiero perderte nunca (2017)

By Javier Ocaña (196) for El Pais (Spain) (511) on 12 Jul 2018

The term pretentious was invented for movies like No Quiero Perderte Nunca. [Full Review in Spanish]…

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Review of Jefe (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 05 Jul 2018

But it seems unquestionable that we are facing a more than promising debut. [Full Review in Spanish]…

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Review of Ant-Man and the Wasp (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 04 Jul 2018

Even so, the sharpness in the dialogue, the sympathy Paul Rudd always exudes, and, again, his sensible perception of being a minor product,…

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Review of Los perros (2017)

By Javier Ocaña (196) for El Pais (Spain) (511) on 28 Jun 2018

Los Perros has a fascinatingly repulsive central figure: a disturbing woman in her angular and trickster features, in her attitude, in his…

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Review of Adrift (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 28 Jun 2018

Adrift's timelines elevate the the sequences at sea due to the romantic blast occurring throughout. [Full Review in Spanish]…

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Review of Casi 40 (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 28 Jun 2018

Casi 40 turns into a road movie with notes on music that in the subtlest way, warns of the jumps and falls of the lives of his two protagonists…

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Review of On Chesil Beach (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 28 Jun 2018

It is very difficult to adapt the prose in McEwan's work, however On Chesil Beach is notable in this feat. [Full Review in Spanish]…

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Review of The World is Theirs (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 21 Jun 2018

El Mundo Es Suyo is a valiant film that is capable of laughing with (and not at) a good chunk of the minorities that contemporary Spanish society…

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Review of The Cakemaker (2017)

By Javier Ocaña (196) for El Pais (Spain) (511) on 17 Jun 2018

In the most subtle way, [The Cakemaker] is a reflection on the relations of the Germans with the Jews, and a clear criticism towards the religious…

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Review of Marie-Francine (2017)

By Javier Ocaña (196) for El Pais (Spain) (511) on 14 Jun 2018

A merciless film with the indolence and lack of personality of its protagonist, which will put anyone's nerves on edge if they come with minimal…

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Review of The Man Who Killed Don Quixote (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 31 May 2018

Long from being capricious [The Man Who Killed Don Quixote] is a metalinguistic amalgam of a film that is absolutely coherent with the myth…

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Review of Ignorance Is Bliss (2017)

By Javier Ocaña (196) for El Pais (Spain) (511) on 31 May 2018

In situations of a certain grace, protected in the contemporary daily life and in the shame of others, the director also opts for melodrama…

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Review of Corporate (2017)

By Javier Ocaña (196) for El Pais (Spain) (511) on 24 May 2018

[Corporate] is an extremely interesting film that takes a close look at a rotten system. [Full Review in Spanish]…

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Review of Solo: A Star Wars Story (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 23 May 2018

Howard lends his expertise as a narrator, but deploys a staging and assembly without spark or claw. [Full Review in Spanish]…

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Review of Hannah (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 17 May 2018

Pallaoro's Hannah is a another strong showing in the genre of Charlotte Ramping. [Full Review in Spanish]…

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Review of Deadpool 2 (2018)

By Javier Ocaña (196) for El Pais (Spain) (511) on 17 May 2018

[Deadpool 2] proves not only to be funny, but also possesses a certain flair in its action sequences. [Full Review in Spanish]…

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Review of The Wall (2017)

By Javier Ocaña (196) for El Pais (Spain) (511) on 15 May 2018

Far from the exalted patriotism in Eastwood's American Sniper, [The Wall] is a cinematic joke that's sick of the propaganda campaign…

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Javier Ocaña has written reviews for:

El Pais (Spain) (511)

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