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Last updated: 26 Jul 2026 at 15:50 UTC

Movie Reviews by Jason Bailey - Page 7 of 42

121-140 of 832 Reviews

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Review of First Man (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

It's all about perspective... less concerned with history of that mission's impact than with what it was like to be him…

Review of Boy Erased (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

Edgerton's central visual metaphor is a middlebrow clunker, and the look of his movie too often confuses darkness with depth…

Review of Can You Ever Forgive Me? (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

It's a wicked, witty treat, with Melissa McCarthy playing Israel as an unapologetically unlikable protagonist, and batting around some truly…

Review of The Old Man & the Gun (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

It's a gentle, funny crowd-pleaser with a melancholy streak…

Review of Colette (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

It's a frisky piece of work, asking challenging questions about monogamy and art, while reveling in the considerable charm of stars Keira Knightley…

Review of The Sisters Brothers (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

Darkly funny and often deeply disorienting, with a marvel of an ending…

Review of The Front Runner (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

The Front Runner, Jason Reitman's dramatization of the three-week rise and fall of Gary Hart's 1988 presidential campaign, works best in its…

Review of Destroyer (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

Kusama moves her star, and her camera, through these silky L.A. nightscapes in a style reminiscent of Michael Mann…

Review of A Star Is Born (2018)

By Jason Bailey (832) for Flavorwire (598) on 13 Sep 2018

All you gotta do is trust me, he tells her, and when he brings her out on stage, and then brings her up to the front microphone, it raises…

Review of The Death & Life of John F. Donovan (2019)

By Jason Bailey (832) for The Playlist (3,871) on 12 Sep 2018

Every time Dolan generates a head of steam, he’s betrayed by his script, by the self-conscious formality of the dialogue, or the clunkiness…

Review of Maya (2023)

By Jason Bailey (832) for The Playlist (3,871) on 12 Sep 2018

Maya is full of the kind of tiny, keenly observed moments that make Løve such a special filmmaker…

Review of Maya (2023)

By Jason Bailey (832) for The Playlist (3,871) on 12 Sep 2018

Maya is full of the kind of tiny, keenly observed moments that make Løve such a special filmmaker…

Review of Hold the Dark (2018)

By Jason Bailey (832) for The Playlist (3,871) on 11 Sep 2018

At its best, it’s a moody, scary, post-Peckinpah meditation on masculinity — and an all too rare opportunity to see Mr. Wright fronting a feature…

Review of High Life (2019)

By Jason Bailey (832) for The Playlist (3,871) on 10 Sep 2018

High Life feels longer than it is, and is occasionally so squirrely that it becomes off-putting…

Review of High Life (2018)

By Jason Bailey (832) for The Playlist (3,871) on 09 Sep 2018

High Life feels longer than it is, and is occasionally so squirrely that it becomes off-putting…

Review of mid90s (2018)

By Jason Bailey (832) for The Playlist (3,871) on 09 Sep 2018

Hill’s basically remaking Larry Clark’s seminal 1995 film “Kids,” a picture inherently more authentic because it was a snapshot taken…

Review of Widows (2018)

By Jason Bailey (832) for The Playlist (3,871) on 08 Sep 2018

Widows is definitely a good film and one that often has greatness in its grasp…

Review of If Beale Street Could Talk (2018)

By Jason Bailey (832) for The Playlist (3,871) on 08 Sep 2018

Jenkins captures the humor, verve, and considerable complexity of the prose…

Review of Outlaw King (2018)

By Jason Bailey (832) for The Playlist (3,871) on 06 Sep 2018

Outlaw King plays like the kind of passion project that a filmmaker just gets lost in; its bloated running time and narrative tedium bespeak…

Review of Beautiful Boy (2018)

By Jason Bailey (832) for The Playlist (3,871) on 06 Sep 2018

By working in such a deliberately muted key, the emotional payoffs we’re conditioned to require from a story like this never quite arrive,…

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