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Last updated: 26 Jul 2026 at 14:07 UTC

Movie Reviews by Jason Bailey - Page 5 of 42

81-100 of 832 Reviews

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Review of Beastie Boys Story (2020)

By Jason Bailey (832) for The Playlist (3,871) on 20 Apr 2020

It is, in essence, a two-hour curtain call, a celebration of not only their music but their friendship, and a chance for the duo to have the…

Review of The Quarry (2020)

By Jason Bailey (832) for The Playlist (3,871) on 14 Apr 2020

Its leads deliver, individually and especially together, and Teems somehow manages to sound a note of reserved hope at the picture’s conclusion,…

Review of The Platform (2019)

By Jason Bailey (832) for The New York Times (9,847) on 26 Mar 2020

A gnarly mash-up of midnight movie and social commentary, the picture is overly overt but undeniably effective, delivering genre jolts and…

Review of Stargirl (2020)

By Jason Bailey (832) for The New York Times (9,847) on 12 Mar 2020

Stargirl was published twenty years ago, and its age occasionally shows in this adaptation; some of the story beats and character qualities…

Review of Lost Girls (2020)

By Jason Bailey (832) for The Playlist (3,871) on 02 Feb 2020

For all the impressive craft, sense of harrowing anxiety and searing performances on display, Lost Girls doesn’t seem to know how to wrap…

Review of Horse Girl (2020)

By Jason Bailey (832) for The Playlist (3,871) on 01 Feb 2020

Brie’s work is worth celebrating, and the ambition of the project is admirable. But a picture like this has to float on more than good intentions…

Review of The Last Thing He Wanted (2020)

By Jason Bailey (832) for The Playlist (3,871) on 28 Jan 2020

The film that follows is, admittedly, a bit of a mess…

Review of Downhill (2020)

By Jason Bailey (832) for The Playlist (3,871) on 27 Jan 2020

The value of Downhill comes from merging this story with these two distinct comic personas, and seeing what they do with it (and each other)…

Review of Promising Young Woman (2020)

By Jason Bailey (832) for The Playlist (3,871) on 26 Jan 2020

There’s no denying that Fennell is playing with dynamite here, and knows it; the brashness of her approach and style is welcome, and her…

Review of Shirley (2020)

By Jason Bailey (832) for The Playlist (3,871) on 26 Jan 2020

One of the masterstrokes of Sarah Gubbins’s screenplay is how deftly she underscores the differences in the perception and presentation of…

Review of Bad Boys for Life (2020)

By Jason Bailey (832) for The Playlist (3,871) on 15 Jan 2020

What the newbies can’t recreate is the coked-up, jet-fueled delirium of Bay’s efforts, particularly the second “Bad Boys,” which may…

Review of Underwater (2020)

By Jason Bailey (832) for The Playlist (3,871) on 08 Jan 2020

You’ve gotta give Underwater this much, though: it’s not boring…

Review of 1917 (2019)

By Jason Bailey (832) for The Playlist (3,871) on 26 Nov 2019

The proximity and intimacy of the technique render Schofield and Blake’s journey more visceral, and more frightening…

Review of El Camino: A Breaking Bad Movie (2019)

By Jason Bailey (832) for The Playlist (3,871) on 11 Oct 2019

The film is undeniably entertaining, it’s fun to see these characters and creators again, and hey, who am I to begrudge them a victory lap…

Review of Between Two Ferns: The Movie (2019)

By Jason Bailey (832) for The New York Times (9,847) on 20 Sep 2019

Some promising ideas and characters are introduced, but the narrative is so superfluous, the connecting segments so fleeting, that little is…

Review of Jungleland (2020)

By Jason Bailey (832) for The Playlist (3,871) on 14 Sep 2019

A confidently crafted, well-acted three-hander…

Review of Lucy in the Sky (2019)

By Jason Bailey (832) for The Playlist (3,871) on 12 Sep 2019

A wildly misbegotten mess, a goulash of incongruent tones and unclear motives…

Review of Synchronic (2020)

By Jason Bailey (832) for The Playlist (3,871) on 11 Sep 2019

The kind of brainy, absorbing, all-out thrilling cinema that’s in dangerously short supply these days…

Review of Endings, Beginnings (2020)

By Jason Bailey (832) for The Playlist (3,871) on 09 Sep 2019

It’s a mighty snoozy affair, in which we discover that Doremus’s cinematic style —intimate, personal, and improvisation — has not so…

Review of Blackbird (2020)

By Jason Bailey (832) for The Playlist (3,871) on 08 Sep 2019

The picture’s biggest flaw is that it’s so mellow it occasionally veers into inertia…

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