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Last updated: 26 Jul 2026 at 23:02 UTC

Movie Reviews by Jason Bailey - Page 35 of 42

681-700 of 832 Reviews

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Review of Macbeth (2015)

By Jason Bailey (832) for Flavorwire (598) on 29 Apr 2016

A terrifying, seemingly irreversible dirge, gloomy and rainy and blood-soaked…

Review of The Good Dinosaur (2015)

By Jason Bailey (832) for Flavorwire (598) on 29 Apr 2016

The script is puzzlingly devoid of wit, the conflicts and character arcs are unimaginative and stale, the pacing is inexorable, and the plotting…

Review of Creed (2015)

By Jason Bailey (832) for Flavorwire (598) on 29 Apr 2016

Its own great, singular achievement, outside of the considerable iconography…

Review of Rocky IV (1985)

By Jason Bailey (832) for Flavorwire (598) on 29 Apr 2016

Rocky IV' still stands, not as a highlight of the series (certainly not that) but as a quintessential artifact of mid-'80s studio filmmaking…

Review of The Big Short (2015)

By Jason Bailey (832) for Flavorwire (598) on 29 Apr 2016

An unlikely but oddly effective mixture of dark comedy, character study, based-on-a-true-story drama, rabble-rousing, and detective story…

Review of Dreams Rewired (2015)

By Jason Bailey (832) for Flavorwire (598) on 29 Apr 2016

It's a marvel of montage, charming and bizarre and frequently funny, thanks in no small part to the good humor of our narrator…

Review of Macbeth (2015)

By Jason Bailey (832) for Flavorwire (598) on 29 Apr 2016

A terrifying, seemingly irreversible dirge, gloomy and rainy and blood-soaked…

Review of Mother's Day (2016)

By Jason Bailey (832) for Flavorwire (598) on 28 Apr 2016

It's marketed as a twinkly rom-com, but it's about as depressing as 'Requiem for a Dream…

Review of Mother's Day (2016)

By Jason Bailey (832) for Flavorwire (598) on 28 Apr 2016

It's marketed as a twinkly rom-com, but it's about as depressing as 'Requiem for a Dream…

Review of The Birth of a Nation (2016)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

A vital, stirring, and powerful film by and about people of color - and which arrives like a hand grenade in the midst of a deafeningly loud…

Review of Hail, Caesar! (2016)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

It is, all in all, mid-level Coens. But as so many others have noted, mid-level Coens still tops most other filmmakers at their peak…

Review of Sisters (2015)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

Sisters' is a Fey & Poehler picture, a comedy vehicle designed to showcase the skills and personalities of its stars, and for the most part,…

Review of The Revenant (2015)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

Making 'The Revenant' was an ordeal, you see, in which people froze and suffered and came to blows, and they'd like to pass the ordeal on to…

Review of Mapplethorpe: Look at the Pictures (2016)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

The film seeks to humanize an artist who'd been demonized, but not by ignoring his own demons…

Review of Lo and Behold: Reveries of the Connected World (2016)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

Less a disciplined documentary than a free-form essay film about connectivity, less a comprehensive history or analysis than a casual exploration…

Review of Wiener-Dog (2016)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

He's just spinning his wheels, continuing to tell the same stories in the same way, and expecting them to elicit the same response…

Review of Concussion (2015)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

A crusading whistleblower movie, not too far from (though slightly inferior to) 'The Insider,' both an actor's showcase and a vehicle for creating…

Review of Star Wars: The Force Awakens (2015)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

The Force Awakens' does what the original films did well - and is also its own, thrilling thing…

Review of Race (2016)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

It's an important story about a groundbreaking African American, and it's disappointing to see it reframed, by its (white) director and (white)…

Review of The Witch (2016)

By Jason Bailey (832) for Flavorwire (598) on 26 Apr 2016

A film that surrounds you with a general yet mostly indescribable sense of unease, less through its violence or blood than its mood and tension…

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