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Last updated: 28 Jul 2026 at 13:49 UTC

Movie Reviews by Jason Bailey - Page 20 of 42

381-400 of 832 Reviews

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Review of Into the Inferno (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It is, as usual, a fascinating free-form essay, with stunning visuals, thoughtful voice-overs, and a few persona-generated giggles…

Review of Blair Witch (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's less a sequel or a reboot than a remake, but without the freshness of the stylistic and marketing hooks that made the first one so memorable…

Review of The Assignment (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

Politics of sex and gender aside, '(re)ASSIGNMENT' is junk…

Review of Una (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

This is a hard, difficult movie. But it's vital…

Review of The Handmaiden (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

He's in such supreme command of his craft that to watch 'The Handmaiden' is to watch a man drunk on the joy of movie-making - and to share…

Review of The Bad Batch (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's one of those movies that plays like they simply filmed the director's notebooks rather than a script…

Review of Sully (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

For the most part, Eastwood's no-frills approach works…

Review of Loving (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

Nichols knows that the key to his film is to just tell their story, simply and directly, and let the other stuff take care of itself…

Review of Free Fire (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's basically an excuse for director Wheatley to execute an hour-long shoot-out…

Review of The B-Side: Elsa Dorfman's Portrait Photography (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's a film with much to say, about the shifting winds of technology, the challenges of art that stands the tests of time, and how we choose…

Review of Nocturnal Animals (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

Sleek and crisp, as is Ford's style, but with scenes of domestic terror and toxic masculinity so tautly rendered, you sort of wish he'd just…

Review of Gimme Danger (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

For a story of music innovators and gleeful deconstructionists, 'Gimme Danger' is surprisingly conventional in its style and approach…

Review of Snowden (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

You can say 'Snowden' is unnecessary, you can point out its silliness, you can wonder if its director is spinning his wheels, since he's not…

Review of Dog Eat Dog (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

This is Schrader doing an exploitation movie, and it's as gleefully, giddily disreputable as it should be…

Review of A Monster Calls (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

A handsomely mounted (if slightly airless) story of monsters and nightmares, and the real-life terrors that inspire them…

Review of Amanda Knox (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

Amanda Knox' isn't a great true crime movie, but it'll do 'till the next great one comes along…

Review of Arrival (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

The sheer emotional heft is downright staggering. Movies like this are what I'm here for…

Review of Queen of Katwe (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

A story that works within the broad strokes of familiarity, but fills them in with vibrancy, humanity, and emotion…

Review of Their Finest (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

It's quite reminiscent of 'The Imitation Game,' which will be a recommendation to some audiences and a warning to others. You know who you are…

Review of A United Kingdom (2016)

By Jason Bailey (832) for Flavorwire (598) on 17 Sep 2016

If it's all a touch connect-the-dots in story and style, these two gifted actors elevate the material, and shine in it…

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