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Last updated: 27 Jul 2026 at 11:15 UTC

Movie Reviews by Jason Bailey - Page 13 of 42

241-260 of 832 Reviews

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Review of Detroit (2017)

By Jason Bailey (832) for Flavorwire (598) on 04 Aug 2017

The film has a documentary immediacy; Bigelow captures the hair-trigger intensity of this unbearably tense situation, via the restless, unsettling…

Review of Strange Weather (2016)

By Jason Bailey (832) for Flavorwire (598) on 04 Aug 2017

It's hard to imagine another actor in the world who could elicit those particular responses to those moments, or who could make the wild narrative…

Review of Jaws: The Revenge (1987)

By Jason Bailey (832) for Flavorwire (598) on 04 Aug 2017

Jaws: The Revenge' bears the marks of its rushed production, from the seemingly first-draft screenplay to its sloppy execution to the slender…

Review of War for the Planet of the Apes (2017)

By Jason Bailey (832) for Flavorwire (598) on 04 Aug 2017

Matt Reeves's 'War for the Planet of the Apes' is a rare work, in which the power of the ideas matches the skill of the craft…

Review of Where Eagles Dare (1968)

By Jason Bailey (832) for DVDTalk.com (826) on 06 Jul 2017

As with Kelly's Heroes, Where Eagles Dare pulls itself together best in its third act…

Review of A Ghost Story (2017)

By Jason Bailey (832) for Flavorwire (598) on 06 Jul 2017

It's an honest-to-goodness experimental movie, a story that starts going in one direction and unexpectedly veers into unexplored territory,…

Review of Baby Driver (2017)

By Jason Bailey (832) for Flavorwire (598) on 29 Jun 2017

In some ways, it feels like a step backward, considering the maturity and pathos that made his previous picture, 'The World's End,' one of…

Review of Okja (2017)

By Jason Bailey (832) for Flavorwire (598) on 29 Jun 2017

The fact that it exists at all, in what is so clearly a form unsullied by executive hands, is a victory. That it's brilliant is a nice bonus…

Review of Joe Versus the Volcano (1990)

By Jason Bailey (832) for Flavorwire (598) on 22 Jun 2017

It speaks to the commercial and critical success of Shanley's 1987 hit 'Moonstruck' that he was handed, by a major studio, the resources to…

Review of The Beguiled (2017)

By Jason Bailey (832) for Flavorwire (598) on 22 Jun 2017

Beguiled' '17 is not as straight-up weird as the '71 version; it's a comparatively muted movie stylistically, as Coppola is (surprisingly,…

Review of Batman & Robin (1997)

By Jason Bailey (832) for Flavorwire (598) on 17 Jun 2017

Schumacher is like a bad stepdad who thinks we'll love him if he just feeds us candy all day…

Review of All Eyez on Me (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Jun 2017

It's a film chock full of thirty-second scenes that provide plot points and biographical bookmarks, and nothing more; the script is credited…

Review of Rough Night (2017)

By Jason Bailey (832) for Flavorwire (598) on 17 Jun 2017

It's worth celebrating that, for once, we have a wild comedy about and for women that's directed by one. You know what'll be even better…

Review of Long Strange Trip (2017)

By Jason Bailey (832) for Flavorwire (598) on 07 Jun 2017

There's something to be said for getting lost in a four-hour movie, set adrift from the traditional markers of time, so that by the film's…

Review of The Beguiled (1971)

By Jason Bailey (832) for Flavorwire (598) on 07 Jun 2017

A rather daring experiment in subverting audience empathy - almost an art-house 'I Spit On Your Grave,' in which the assault/revenge elements…

Review of Beatriz at Dinner (2017)

By Jason Bailey (832) for Flavorwire (598) on 07 Jun 2017

Beatriz at Dinner' is a slender movie (83 minutes, with credits), and that's as it should be - it's a short story, really, about polite society…

Review of It Comes at Night (2017)

By Jason Bailey (832) for Flavorwire (598) on 07 Jun 2017

That's the genius of 'It Comes at Night''s ambiguity: its horror is widely applicable, and its title both makes a promise and asks a question…

Review of Ishtar (1987)

By Jason Bailey (832) for Flavorwire (598) on 07 Jun 2017

It's a film that resists categorization, staking a claim on a weird, absurdist territory of its own…

Review of Wonder Woman (2017)

By Jason Bailey (832) for Flavorwire (598) on 01 Jun 2017

It's no small relief that 'Wonder Woman' is a decent piece of pop art, messy and unsuccessful in spots, yes, but engaging nonetheless, and…

Review of The Wizard of Lies (2017)

By Jason Bailey (832) for Flavorwire (598) on 18 May 2017

A team-up of talents like this would've been a big, splashy theatrical release not too long ago. The multiplex's loss is HBO's gain…

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