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Last updated: 22 Jul 2026 at 21:57 UTC

Movie Reviews by Jared Mobarak - Page 27 of 44

521-540 of 867 Reviews

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Review of The Longest Game (2014)

By Jared Mobarak (867) for The Film Stage (3,162) on 30 Apr 2018

What could've been a straightforward document of adorable old men living their twilight years becomes a mirror onto how small the world proves…

Review of And Then I Go (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 28 Apr 2018

The film presents itself as an objective look at everything that might go into a school shooting similar to Elephant but with a narrative propulsion…

Review of All These Small Moments (2019)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Apr 2018

Authenticity of character is All These Small Moments‘ strongest suit because each proves honest whether or not their inclusion in the larger…

Review of Itzhak (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 18 Apr 2018

We witness Itzhak’s easy sense of humor, his often silent chuckle that almost makes it seem he’s ready to cry, and the impact music has…

Review of The Endless (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 12 Apr 2018

We're watching a straightforward sequel serving as a skeleton key to decipher its predecessor through re-contextualization while also providing…

Review of An Ordinary Man (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 11 Apr 2018

This story isn’t working towards a solution or revisionist history. It merely reminds us that the Devil doesn’t commit atrocities…

Review of Custody (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 09 Apr 2018

The intensity is too much to bear in the best possible way…

Review of Fourplay (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 04 Apr 2018

They can get too caught up in characterizations that render each a bit one-note (Susan’s hippie sensibilities, Joe’s type-A machismo, Anna’s…

Review of I Kill Giants (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 22 Mar 2018

While the film isn’t as subtle as A Monster Calls or Where the Wild Things Are, it captures the messiness of suffering just as well…

Review of Gringo (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 09 Mar 2018

Watching bad people be bad gets tiring, especially when there’s someone like Oyelowo transcending the material to lend complexity and uncertainty…

Review of Liyana (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 06 Mar 2018

A unique hybrid wherein fact is projected through a prism of fiction as both a mechanism to educate outsiders and heal from within…

Review of Souvenir (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 28 Feb 2018

The songs are catchy, the romance sweetly intense, and the lack of meaty drama an intentional maneuver to keep things light…

Review of Like Me (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 21 Feb 2018

While it may do a better job at depicting the nihilistic depravity of living through social media at the detriment of “real life” than…

Review of November (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 21 Feb 2018

Sarnet orchestrates authentic horror through a supernatural filter wherein beautiful black and white cinematography can immortalize abject despair…

Review of Cobain (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 19 Feb 2018

The film is great at portraying its authentic emotions, but the places they come from can sometimes feel abrupt in this deliberately paced drama…

Review of Looking Glass (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 14 Feb 2018

While the execution of every weak excuse for a twist and turn is really the culprit behind Looking Glass‘ failure, I would be remiss to not…

Review of Entanglement (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 09 Feb 2018

Much of the film is forgettable in the sense that you’ve seen it all before…

Review of Entanglement (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 09 Feb 2018

Much of the film is forgettable in the sense that you’ve seen it all before…

Review of On Chesil Beach (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 23 Jan 2018

Its authentic depiction of unprepared young love is delicately innocent…

Review of 12 Strong (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 19 Jan 2018

Fuglsig’s job was to document, commemorate, and inspire. He does all three…

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