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Last updated: 18 Jul 2026 at 07:41 UTC

Movie Reviews by Jared Mobarak - Page 2 of 44

21-40 of 867 Reviews

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Review of Vesper (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 28 Sep 2022

The film zooms in to project humanity’s struggle onto Vesper…

Review of The Swearing Jar (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 26 Sep 2022

To say The Swearing Jar is an uplifting film without a clarifier such as “bittersweet” is perhaps a tough sell, but that’s exactly what it is…

Review of The Enforcer (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 22 Sep 2022

Iliff’s script and Hughes’ direction might not provide anything we haven’t seen before, but both allow the actors the necessary room…

Review of Sidney (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 20 Sep 2022

Expect a breezy affair with good-natured laughter and low stakes…

Review of Chevalier (2023)

By Jared Mobarak (867) for The Film Stage (3,162) on 17 Sep 2022

A stirring tribute to a man of many talents, Chevalier gorgeously gives a once-forgotten virtuoso violinist the cinematic treatment…

Review of Alice, Darling (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 16 Sep 2022

The role of Alice is very much internal and, as such, very reliant upon putting her thoughts onscreen…

Review of House of Darkness (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 05 Sep 2022

LaBute is meticulously escalating the danger by providing Hap his wildest dreams in a way that reveals to the audience how their ability to…

Review of Out of the Blue (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Aug 2022

The film’s simply a bit off-kilter—written with influences blatantly on its sleeves yet uninterested in subverting any assumptions that…

Review of Out of the Blue (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Aug 2022

The film’s simply a bit off-kilter—written with influences blatantly on its sleeves yet uninterested in subverting any assumptions that…

Review of Out of the Blue (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Aug 2022

The film’s simply a bit off-kilter—written with influences blatantly on its sleeves yet uninterested in subverting any assumptions that…

Review of Out of the Blue (2024)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Aug 2022

The film’s simply a bit off-kilter—written with influences blatantly on its sleeves yet uninterested in subverting any assumptions that…

Review of The Immaculate Room (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 19 Aug 2022

The Immaculate Room isn’t breaking the mold on this type of conceit; if anything it’s purposely embracing a narrow scope of mental fracturing…

Review of Get Away If You Can (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 19 Aug 2022

Braun and Martin make some interesting choices and craft a gorgeous-looking film on an obviously shoestring budget, but none of that matters…

Review of Orphan: First Kill (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 15 Aug 2022

It’s empty horror barely skating by on recognizable IP…

Review of Tin Can (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 12 Aug 2022

That this claustrophobic sci-fi thriller quickly won me over with its early David Cronenberg inspirations only allowed my excitement to increase…

Review of Rogue Agent (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 12 Aug 2022

By separating this film into two parts we really get to understand how alluring Freegard was…

Review of Not Okay (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 27 Jul 2022

Is the tonal marriage perfect between the over-the-top hijinks about the gross commodification of “wokeness” and melodramatic exposure…

Review of Alone Together (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 21 Jul 2022

The only way this play at “bringing a sense of joy and optimism during a time of great fear and loss” (as she states in her brief, platitude-heavy,…

Review of Alone Together (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 21 Jul 2022

The only way this play at “bringing a sense of joy and optimism during a time of great fear and loss” (as she states in her brief, platitude-heavy,…

Review of She Will (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 15 Jul 2022

Both Krige and Eberhardt deliver subtly quiet performances within this atmospherically fragmented pursuit of vengeance, ultimately transforming…

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