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Last updated: 26 Jul 2026 at 13:39 UTC

Movie Reviews by James Berardinelli - Page 5 of 227

81-100 of 4,524 Reviews

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Review of The Menu (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 16 Nov 2022

A dark satire that skewers privilege and eviscerates the famous, the wealthy, and professional critics (gulp), this film from prolific TV director…

Review of Till (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Nov 2022

Movie-going isn’t a civics assignment but Till is a sufficiently powerful motion picture that it offers more than a history lesson…

Review of Black Panther: Wakanda Forever (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Nov 2022

Black Panther: Wakanda Forever is an overlong blockbuster in search of an editor…

Review of Till (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 09 Nov 2022

Movie-going isn’t a civics assignment but Till is a sufficiently powerful motion picture that it offers more than a history lesson…

Review of Armageddon Time (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 03 Nov 2022

It’s not that there’s anything fundamentally wrong with the film…

Review of TÁR (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 31 Oct 2022

Tar isn’t based on a true story but it possesses an emotional and intellectual honesty that makes it seem more real than countless made-for-mass-consumption…

Review of The Good Nurse (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 26 Oct 2022

In a streaming series spread out over four or six hours, this might have offered compelling content (and certainly would have seemed less rushed)…

Review of Ticket to Paradise (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 24 Oct 2022

Although this features high wattage stars, it represents a curiously anachronistic attempt at escapist fare…

Review of Triangle of Sadness (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 19 Oct 2022

Editing is increasingly a lost art and there are times when Triangle of Sadness might have been more effective had it been presented with greater…

Review of Black Adam (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 19 Oct 2022

Black Adam embraces many of the worst elements and tropes of the superhero genre, resulting in a loud, discordant experience replete with fist-fights,…

Review of The Banshees of Inisherin (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 19 Oct 2022

The tapestry is large enough for the big screen and the overall experience will reward the movie-goer far more than something slick and superficial…

Review of Halloween Ends (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 14 Oct 2022

Although Halloween Ends is a better-than-serviceable slasher film, its old-school approach to horror might feel dated in comparison to the…

Review of Amsterdam (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 07 Oct 2022

With its whiplash-inducing tonal inconsistencies and sloppily assembled narrative, Amsterdam often feels like a pastiche of (take your pick)…

Review of Smile (2021)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2022

Smile represents the latest in an impressive roster of horror films that have pushed the envelope, daring to go where most cookie-cutter fright-fests…

Review of Smile (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2022

Smile represents the latest in an impressive roster of horror films that have pushed the envelope, daring to go where most cookie-cutter fright-fests…

Review of Smile (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2022

Smile represents the latest in an impressive roster of horror films that have pushed the envelope, daring to go where most cookie-cutter fright-fests…

Review of Smile (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2022

Smile represents the latest in an impressive roster of horror films that have pushed the envelope, daring to go where most cookie-cutter fright-fests…

Review of Smile (2023)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2022

Smile represents the latest in an impressive roster of horror films that have pushed the envelope, daring to go where most cookie-cutter fright-fests…

Review of SMILE (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2022

Smile represents the latest in an impressive roster of horror films that have pushed the envelope, daring to go where most cookie-cutter fright-fests…

Review of Smile (2022)

By James Berardinelli (4,524) for ReelViews (4,523) on 30 Sep 2022

Smile represents the latest in an impressive roster of horror films that have pushed the envelope, daring to go where most cookie-cutter fright-fests…

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James Berardinelli has written reviews for:

Variety (12,700)
The A.V. Club (5,644)
ReelViews (4,523)

James Berardinelli is connected to:

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