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Jake Cole

Last updated: 04 Jun 2026 at 03:55 UTC

Movie Reviews by Jake Cole - Page 3 of 15

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Review of Eternals (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 26 Oct 2021

At once bloated and rushed, Eternals suffers from frequent lurches in tempo that dispel its occasional moments of tranquil thoughtfulness…

Review of The Many Saints of Newark (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 21 Sep 2021

The juxtapositions between backroom politicking, intimate family drama, and the occasional lurches into action often give the impression of…

Review of The Electrical Life of Louis Wain (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 16 Sep 2021

The film charts Louis Wain’s slow, long mental breakdown in ways that tackily oscillate between the pitying and the whimsical…

Review of The Guilty (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 13 Sep 2021

This is an engaging, no-frills entertainment that still fails to justify its reason for being…

Review of Neptune Frost (2022)

By Jake Cole (292) for Slant Magazine (8,298) on 09 Sep 2021

The film thrillingly captures the social, economic, political, and material character of Rwanda in the age of global communication…

Review of The Year of the Everlasting Storm (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 29 Aug 2021

These shorts capture everything from how fear of the unknown can rewire relationships to the natural world exerts its pull on us all…

Review of Shang-Chi and the Legend of the Ten Rings (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 23 Aug 2021

On the screen, Shang-Chi is rotely defined by the same “gifted kid” impostor syndrome as so many other self-doubting MCU heroes before him…

Review of Cryptozoo (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 16 Aug 2021

Dash Shaw’s deceptively simple animation regularly descends into phantasmagoria that delivers on his story’s strange premise…

Review of Evangelion: 3.0+1.0 Thrice Upon a Time (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 06 Aug 2021

The film synthesizes the nihilistic tone of The End of Evangelion with the more hopeful terms of the anime’s original intended finale…

Review of The Suicide Squad (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 03 Aug 2021

Throughout the film, James Gunn renders the half-grim, half-absurdist nature of the Suicide Squad with delightfully bloody abandon…

Review of Jungle Cruise (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 27 Jul 2021

Jaume Collet-Serra’s deft touches elevate what otherwise feels like another formulaic contemporary Disney blockbuster…

Review of Joe Bell (2020)

By Jake Cole (292) for Slant Magazine (8,298) on 19 Jul 2021

The tired, tasteless gimmick at the center of the film inadvertently reveals its entire problem of perspective…

Review of Ailey (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 19 Jul 2021

Not even Alvin Ailey’s peers can articulate the innovations and soulfulness of his choreography half as well as his work itself…

Review of Space Jam: A New Legacy (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 14 Jul 2021

As soon as LeBron and Dom are sucked into computer space, A New Legacy largely abandons its underlying criticism of soulless corporate regurgitation…

Review of Black Widow (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 29 Jun 2021

In its final moments, Black Widow gives its heroine the humanity she never quite gained in her appearances in prior Marvel films, and it’s…

Review of F9 (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 23 Jun 2021

At its best, F9 delivers the most spatially coherent, dynamic car scenes in the series to date…

Review of The Sparks Brothers (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 14 Jun 2021

The film embodies the idiosyncratic, tongue-in-cheek sensibilities of Ron and Russell Mael’s long-running cult American pop band…

Review of Spring Blossom (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 18 May 2021

Throughout her directorial debut, Suzanne Lindon paints a concise and truthful portrait of her protagonist’s feelings of estrangement…

Review of Faya Dayi (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 26 Apr 2021

The documentary’s aesthetics strikingly channel the euphoric feelings induced by Ethopia’s top cash crop…

Review of Mortal Kombat (2021)

By Jake Cole (292) for Slant Magazine (8,298) on 22 Apr 2021

In spite of its occasionally engaging displays of gnarly brutality, the film too often feels like an adaptation of a player select screen…

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