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Jack Giroux

Last updated: 04 Jun 2026 at 12:39 UTC

Movie Reviews by Jack Giroux - Page 7 of 8

121-140 of 142 Reviews

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Review of Only Lovers Left Alive (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 09 Aug 2014

Only Lovers Left Alive is a gorgeous movie…

Review of Paraíso (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 09 Aug 2014

Paradise is far from a bad start, but it's not the introduction Cody was probably capable of making…

Review of The Frozen Ground (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 09 Aug 2014

It's all around safe and plain, simple and to the point, and all very, very by-the-numbers…

Review of Byzantium (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 09 Aug 2014

Byzantium is a refreshing take on the vampire genre…

Review of The Family (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 09 Aug 2014

Features a contender for worst subplot of the year…

Review of Paradise (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 09 Aug 2014

Paradise is far from a bad start, but it's not the introduction Cody was probably capable of making…

Review of Dawn of the Planet of the Apes (2014)

By Jack Giroux (142) for Film School Rejects (1,198) on 29 Jun 2014

Dawn of the Planet of the Apes isn't just a great time at the theater, but a genuinely great movie without a single dull moment…

Review of The Congress (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 08 Jun 2014

As a performance piece, spectacle, drama, comedy, heady sci-fi, and cautionary tale, it's an across the board success…

Review of Blood Ties (2014)

By Jack Giroux (142) for Film School Rejects (1,198) on 22 May 2014

If you want a good film that covers similar ground, just revisit Gray's We Own the Night instead…

Review of Locke (2014)

By Jack Giroux (142) for Film School Rejects (1,198) on 22 May 2014

An expertly tuned dramatic thriller that, like Ivan Locke, has no time to slowdown…

Review of The Monuments Men (2014)

By Jack Giroux (142) for Film School Rejects (1,198) on 22 May 2014

Sadly, this is a movie with all the right ingredients that have trouble coming together…

Review of Gambit (2012)

By Jack Giroux (142) for Film School Rejects (1,198) on 22 May 2014

The director behind Soapdish and The Last Station is generally reliable, but he can't keep up with the Coens' fast paced dialogue…

Review of Blood Ties (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 22 May 2014

If you want a good film that covers similar ground, just revisit Gray's We Own the Night instead…

Review of Godzilla (2014)

By Jack Giroux (142) for Film School Rejects (1,198) on 22 May 2014

The stunning CG creatures are far more entertaining than the humans they play second fiddle to…

Review of The Grand Budapest Hotel (2014)

By Jack Giroux (142) for Film School Rejects (1,198) on 22 May 2014

The movie may suffer from some of its quick-and-done plotting, but its quality of humor, spectacle, and acting is all top notch…

Review of Edge of Tomorrow (2014)

By Jack Giroux (142) for Film School Rejects (1,198) on 21 May 2014

This, ladies and gentleman, is what we call a summer blockbuster…

Review of The Immigrant (2013)

By Jack Giroux (142) for We Got This Covered (2,391) on 13 May 2014

Thanks to some fantastic performances and sharp direction from James Gray, The Immigrant yields a powerful result…

Review of Rush (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 31 Dec 2013

Hemsworth and Bruhl quickly develop a rapport, and even though they don't share much screen time together their relationship as Lauda and Hunt…

Review of 47 Ronin (2013)

By Jack Giroux (142) for Film School Rejects (1,198) on 24 Dec 2013

The camerawork is claustrophobic with too many close-ups, fast cutting, and dim 3D, and stylistically the movie fails to set itself apart from…

Review of 47 Ronin (1994)

By Jack Giroux (142) for Film School Rejects (1,198) on 24 Dec 2013

The camerawork is claustrophobic with too many close-ups, fast cutting, and dim 3D, and stylistically the movie fails to set itself apart from…

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