Movie Reviews by Indra Arriaga - Page 3 of 5

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Review of Loving (2016)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

The slow pace doesn't work because it's sustained too long and doesn't go anywhere very interesting or unexpected…

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Review of Macbeth (2015)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

The most crucial flaw in Kurzel's Macbeth is that he surgically removes the strength, presence, and importance of the female characters found…

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Review of Chronic (2015)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Tim Roth is amazing in his portrayal of David, and his ability to bring David's internal maelstrom to light -- often without saying a word…

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Review of Macbeth (2015)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

The most crucial flaw in Kurzel's Macbeth is that he surgically removes the strength, presence, and importance of the female characters found…

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Review of Love & Friendship (2016)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

In his adaptation of Austen's novella Lady Susan, director Whit Stillman manages to bring to the screen a tedious and drawn-out movie that…

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Review of Elle (2016)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

What is great about the film is that Huppert delivers the nuances of a deep-seeded ambivalence bordering on psychopathic tendencies that Elle…

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Review of Seed: The Untold Story (2016)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

SEED: The Untold Story is well-structured, paralleling the holdings of the major corporations with the geographical path of the narrative…

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Review of Certain Women (2016)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Certain Women is undoubtedly beautiful, but solemnly beautiful at that, and requires viewers to watch attentively and with focus; as when viewing…

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Review of Sing Street (2016)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Sing Street is a feel-good movie and there's nothing wrong with that, especially when it is a well-done homage…

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Review of Buster's Mal Heart (2017)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

The film straddles the line between absurdly comical and a building desperation that is tempered through compassion…

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Review of Kumiko, the Treasure Hunter (2014)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Kikuchi interacts beautifully with the camera to set the pace; the wide shots and angles make it seem as if the camera waits for her to finish…

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Review of Love & Taxes (2015)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

The Korthbluth brothers strike again with Love and Taxes in what feels like, a closely and tightly written Haiku Tunnel saga, except that chronologically…

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Review of Twinsters (2015)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

For the all things that Twinsters does right, like the technical delivery that is well done, the flawless editing, the consistent voice that…

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Review of Band of Robbers (2016)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Forget the plot, forget the moral lessons, the acting is reason enough to see Band of Robbers…

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Review of Defiant Requiem (2012)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Defiant Requiem weaves a compelling account of Terezín with interviews, facts and figures to venerate the undying spirit of Jews in the Holocaust…

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Review of A Hologram for the King (2016)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

At about an hour in, A Hologram for the King pivots in a wonderful direction; what develops from that point on is worth the wait…

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Review of Glory (2017)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Kristina Grozeva and Petar Valchanov deliver a film with similar textures to Krzysztof Kieślowski's Dekalog from the late 1980s that, like…

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Review of Stations of the Cross (2014)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Stations of the Cross is a quiet film, deep in content and profoundly critical of the Catholic Church's culture of repression that misguides…

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Review of Kedi (2017)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

The wonderful aspect of the film is how lovingly the director portrays the cats and their people…

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Review of Somm (2013)

By Indra Arriaga (96) for Anchorage Press (104) on 20 Jun 2017

Perhaps one of the best messages in SOMM: Into the Bottle is that wine's ultimate raison d'être is to be enjoyed, so viewers can feel good…

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Page 3 of 5

Indra Arriaga has written reviews for:

Anchorage Press (104)

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