Movie Reviews by Hannah Strong - Page 2 of 4

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Review of Knock at the Cabin (2023)

By Hannah Strong (63) for Little White Lies (3,136) on 01 Feb 2023

There’s still a great deal to admire, in particular the rich cinematography of Jarin Blaschke (best known for his collaborations with Robert…

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Review of The Fabelmans (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 25 Jan 2023

The Fabelmans clearly comes from a place of deep sincerity – while it might not be a particularly “deep” film, it is absolutely the Spielberg…

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Review of M3GAN (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 13 Jan 2023

The key challenge here is presenting these familiar tropes in a novel manner, and Cooper’s knowing sense of humour and her committed cast…

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Review of Babylon (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 16 Dec 2022

Chazelle swings for the fences, but Babylon feels like the worst kind of jazz: a loose freestyle comprised of beautiful moments punctuated…

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Review of Babylon (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 16 Dec 2022

Chazelle swings for the fences, but Babylon feels like the worst kind of jazz: a loose freestyle comprised of beautiful moments punctuated…

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Review of White Noise (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 10 Dec 2022

The overarching theme of White Noise – an anxiety around the looming spectre of death – is familiar territory for for the writer/director,…

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Review of The Silent Twins (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 10 Dec 2022

Despite its noble intentions, The Silent Twins is a broad-brush depiction of the Gibbons sisters’ lives, one that fails to represent the…

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Review of White Noise (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 10 Dec 2022

The overarching theme of White Noise – an anxiety around the looming spectre of death – is familiar territory for for the writer/director,…

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Review of Bones and All (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 22 Nov 2022

Bones & All gets at the fragility and futility of human existence, and the fleeting moments of joy we find between birth and death…

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Review of Armageddon Time (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 18 Nov 2022

The mistakes we make as children have the power to echo through our lives, and we have to live with them, for better or worse, and only distance…

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Review of Bros (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 05 Nov 2022

It’s a film lacking originality, but also heart – it’s hard to root for a couple when you really don’t care if they end up together…

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Review of Triangle of Sadness (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 05 Nov 2022

It’s certainly an enjoyable watch, though Östlund gestures towards big questions about gender and class divisions without making any truly…

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Review of The Banshees of Inisherin (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 21 Oct 2022

Its delicate blend of wryly observed humanity and thoughtful, understated visuals mean that the more dramatic beats hit harder…

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Review of Decision to Leave (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 19 Oct 2022

While Decision to Leave might lack the grandiose scale of Park’s most-lauded work, its intimacy is no less apparent…

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Review of Flux Gourmet (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 28 Sep 2022

There’s quite a lot to digest, and not all of it goes down easy, but it’s hard to fault Strickland’s ambition and imagination…

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Review of Don't Worry Darling (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 23 Sep 2022

Pugh has precious little to do as Alice, who is less a character and more a series of strung-together cliches, but her hardest challenge is…

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Review of Funny Pages (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 15 Sep 2022

In its third act the film falters a little, tailing off rather than coming to a conclusion – this could be a result of first feature teething…

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Review of Bodies Bodies Bodies (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 09 Sep 2022

It’s passable as a mildly amusing twist on the slasher genre, but its lack of strong identity or coherent thesis means there’s little that…

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Review of See How They Run (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 07 Sep 2022

Failing to capture the wit or intelligence of Christie, See How They Run instead relies on tired stereotypes about women and gay men, and in…

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Review of The Gray Man (2022)

By Hannah Strong (63) for Little White Lies (3,136) on 14 Jul 2022

This is now the fourth action film that the Russo Brothers have directed, and unfortunately they don’t seem to be getting any better at it…

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Hannah Strong has written reviews for:

Little White Lies (3,136)

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