Movie Reviews by Glenn Heath Jr. - Page 16 of 16

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Review of The Green Hornet (2011)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 22 Jan 2011

For a film with so many potentially hallucinatory avenues, imagination seems to be a worthless currency…

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Review of Country Strong (2010)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 10 Jan 2011

Remember when country music meant something to narrative filmmaking, when a tortured, soulful song put to film could document the doubts and…

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Review of One Flew Over the Cuckoo's Nest (1975)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 04 Jan 2011

The film remains a stunning collective of method acting and 1970s social critique…

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Review of Come Undone (2010)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 18 Dec 2010

Come Undone collapses the façade of emotional connection by highlighting the small erosive moments of deception rather than grandiose melodramatic…

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Review of Helena from the Wedding (2010)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 15 Nov 2010

Marriage is hell. Matrimony is rife with mistrust, misdeeds, and misconceptions. But you know what's worse? Being single. We get it…

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Review of Red Hill (2010)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 07 Nov 2010

The Australian high-country setting of this blood-soaked western, brimming with jagged edged rock faces and menacing mountainsides, evokes…

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Review of Jolene (2010)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 30 Oct 2010

Jolene's main themes, including the manipulation of youth, the fragility of love, and the suppression of individuality, try to carry the wonky…

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Review of Altered States (1980)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 03 Apr 2003

The most interesting dimension of Altered States has to be the way Russell sexualizes Eddie’s relationship with godly figures, most notably…

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Review of Hard Times (1975)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 19 Mar 2002

Hard Times feels most like a brilliant prerequisite to the cinema of Michael Mann, a focused neo-western where the last man standing is the…

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Review of Day of the Woman (1978)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 27 Sep 2000

One can’t mistake I Spit in Your Grave for anything other than a raging political text, a rigorous reminder to the power of a disturbed imagination,…

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Review of 12 Angry Men (1957)

By Glenn Heath Jr. (311) for Slant Magazine (8,298) on 19 Jul 1992

What's most interesting about the intense deliberations that ensue, specifically when a piece of seemingly indisputable evidence is brought…

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