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Glenn Dunks

Last updated: 09 Jul 2026 at 18:35 UTC

Movie Reviews by Glenn Dunks - Page 16 of 19

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Review of Perfect Sense (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

This film from David Mackenzie is such a curiously inert experience that never satisfies as a romance, a sci-fi drama or as a social parable…

Review of Once Upon a Time in the West (1968)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Gunslingers, one-road towns, horse and buggies…

Review of War Horse (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

They will keep trying and trying until only the blackest of hearts are left un-moved…

Review of Cave of Forgotten Dreams (2010)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Fascinating artworks by early man, sure, but they're let down by Herzog's long, rambling soliloquies about the history of homosapiens, albino…

Review of The Dark Knight Rises (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

I was surprised at just how much of a great, thrilling time I had. It's a film that genuinely earns its stripes as a grand, epic work of cinema…

Review of Footnote (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Who knew scholarly politics would be so boring…

Review of Dragonslayer (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

This fabulous skating documentary has echoes of Gus Van Sant with its hazy, daydreamy look at the lives of skateboarding youths…

Review of Senna (2010)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

[Director Asif Kapadia] allows his documentary gaze to fall upon the sport of motor-racing in this thrilling exploration into the life of a…

Review of Lady and the Tramp (1955)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

This tale (oh hah hah!) of two canines in love has withstood the test of time to remain a family classic…

Review of Sound of My Voice (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Acted with a subtle nuances throughout, this film's ambiguous ending will elicit much discussion, while the film's delicately handled politics…

Review of Carnage (1984)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Statically filmed by Polanski the film version lacks punch and zest…

Review of Magic Mike (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Once you get past the thongs, the uniforms, and the sleek choreographed stripping dance routines -- admittedly, the main attraction of Magic…

Review of Fun Size (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

A modern day revamp (of sorts) of the 1980s teen classic Adventures in Babysitting meets The Hangover for tweens, the feature debut of television…

Review of Make-Out with Violence (2008)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

[W]hile the film tackles the subject of personal morality and ethics, it works more as a vehicle for twinkling nostalgia memories of youth…

Review of Carnage (2002)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Statically filmed by Polanski the film version lacks punch and zest…

Review of This Ain't California (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

The documentary examines how the American hip-hop movement-exposed to those of the GDR…

Review of Extremely Loud & Incredibly Close (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

This movie is exquisitely made, as Daldry provides a typically classy craft effort…

Review of Marina Abramović: The Artist Is Present (2012)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

It's a shame that the people who really need to see Matthew Akers' transfixing debut documentary, Marina Abramović: The Artist is Present,…

Review of Moneyball (2011)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Australia may not exactly be mad for the game, but I suspect - I hope - that the latest film from Bennett Miller (Capote) will inspire a few…

Review of Carnage (2014)

By Glenn Dunks (375) for Trespass (429) on 07 Sep 2013

Statically filmed by Polanski the film version lacks punch and zest…

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