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Last updated: 13 Jun 2026 at 19:11 UTC

Movie Reviews by Frank Scheck - Page 5 of 88

81-100 of 1,741 Reviews

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Review of Falling for Figaro (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 Oct 2021

Lewin and co-screenwriter Allen Palmer don’t exactly raise the dramatic stakes very high…

Review of The Blazing World (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 15 Oct 2021

There’s plenty of imagination on display in The Blazing World, but it’s buried amidst the narrative and stylistic self-indulgence that…

Review of Hard Luck Love Song (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Oct 2021

That the film proves engrossing throughout is due largely to Michael Dorman (For All Mankind), in the central role of Jesse…

Review of South of Heaven (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 Oct 2021

South of Heaven is the type of film that’s good enough to make you wish it were better, its problematic whole being less than the sum of…

Review of The Humans (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 18 Sep 2021

The film is a remarkably insightful and powerful portrait of the human condition…

Review of Becoming Cousteau (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 17 Sep 2021

Consistently engrossing as well as informative, the film delivers a richly humanistic portrait of a complex, indefatigable figure who introduced…

Review of Malignant (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Sep 2021

The film might have been outrageously bizarre fun if it displayed any humor or ironic self-consciousness, but everything is played so straight…

Review of Fire Music (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Sep 2021

Featuring past and recent interviews with many of the key figures and generous doses of archival photographs and vintage performance footage,…

Review of Small Engine Repair (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The results, although sporadically arresting, feel awkward, like a child wearing clothing a few sizes too big…

Review of Best Sellers (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

That Best Sellers works to the extent that it does is a testament to Caine’s ultra-professionalism — he truly is a treasure who can make…

Review of The Gateway (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The overall pretentiousness and lack of humor make it more of a slog than a guilty pleasure…

Review of The Gateway (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Sep 2021

The overall pretentiousness and lack of humor make it more of a slog than a guilty pleasure…

Review of The Rescue (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 06 Sep 2021

The filmmakers — superbly incorporating a combination of stunning archival footage (much of it previously unseen), dramatic reenactments…

Review of Sweet Girl (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 22 Aug 2021

The film’s true stars are the stunt and fight coordinators who render these clashes in visceral, mostly realistic fashion, although they…

Review of PAW Patrol: The Movie (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Aug 2021

Here’s a quick tip: If you’re old enough to be reading this review, you’re too old to enjoy the childish pleasures of PAW Patrol: The Movie…

Review of Free Guy (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 05 Aug 2021

Reynolds’ boundless appeal, the frequently witty screenplay and expertly rendered technical aspects make the film enjoyable summer frivolity…

Review of Vivo (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 29 Jul 2021

The film’s computer-animated visuals, vividly rendering such locales as Cuba, Key West and the Everglades, are consistently arresting…

Review of Alive: Who Is There? (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 29 Jul 2021

The film’s computer-animated visuals, vividly rendering such locales as Cuba, Key West and the Everglades, are consistently arresting…

Review of Space Jam: A New Legacy (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 14 Jul 2021

The animation, consisting of both traditional 2D and CGI, is impressive, and there’s certainly a lot of it…

Review of The Ice Road (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Jun 2021

Unfortunately, this effort, clearly inspired by the French classic The Wages of Fear (and its terrific American remake, Sorcerer), isn’t…

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