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Last updated: 16 Jun 2026 at 01:47 UTC

Movie Reviews by Frank Scheck - Page 11 of 88

201-220 of 1,741 Reviews

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Review of The Rhythm Section (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 29 Jan 2020

Fortunately, there's Lively, adopting a convincing British accent, who almost, but not quite, manages to infuse the convoluted goings-on with…

Review of Quezon's Game (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 24 Jan 2020

Unfortunately, the poor production values, ham-fisted screenplay and uneven performances prevent it from achieving the desired dramatic impact…

Review of The Turning (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 22 Jan 2020

The Turning sacrifices narrative and emotional coherence in favor of a series of would-be scary set pieces that seem mainly designed to discourage…

Review of Jezebel (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 Jan 2020

Dealing with its potentially discomfiting subject matter with sensitivity, insight and humor, the pic marks an auspicious debut for its director-screenwriter,…

Review of The End of Quantum Reality (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 Jan 2020

Despite the frequent use of graphics and animation to help alleviate the tedium of numerous talking heads (we hear from several other scientists…

Review of The Murder of Nicole Brown Simpson (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 10 Jan 2020

Like his (Farrands) previous effort, this film takes a real-life tragedy and manages to treat it in horribly tawdry and tediously uninteresting…

Review of Inherit the Viper (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Jan 2020

For all its admirable intentions and the terrific performances by its talented ensemble, Inherit the Viper fails to have any genuine impact…

Review of Afterward (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 09 Jan 2020

At its most powerful, the film movingly illustrates the myriad ways in which the past haunts the present and the healing power of communication…

Review of Santa Fake (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 20 Dec 2019

The most likely reaction among all but the most undiscerning to Santa Fake will be Bah, humbug…

Review of She's Missing (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 18 Dec 2019

Sacrifices suspense and narrative coherence for moody atmospherics and hallucinatory visuals…

Review of Mob Town (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 13 Dec 2019

Despite its serious subject matter, Mob Town assumes an oddly comic tone for much of its running time, coming across almost like a spoof at…

Review of The Great War (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 13 Dec 2019

Unfortunately, despite his obvious passion for the genre, Luke doesn't yet have the cinematic chops (or clearly, the budget) to effectively…

Review of Rabid (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 Dec 2019

Ploddingly paced (it runs nearly 20 minutes longer than the 1977 film, to detrimental effect), poorly scripted and featuring largely amateurish…

Review of Broken Dreams (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 05 Dec 2019

There has been no shortage of first-hand accounts of this horrific period in history, nor of films relating to the topic…

Review of The Mandela Effect (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 05 Dec 2019

Infused with enough deadening scientific jargon to lull a graduate student to sleep, the film, which feels much longer than its brief 80-minute…

Review of Grand Isle (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Dec 2019

Far stronger on atmosphere than actual suspense, Grand Isle plods along in tedious fashion, not helped by its awkward framing device that gives…

Review of Daniel Isn't Real (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Dec 2019

Although it eventually settles into familiar genre tropes, for much of its running time Daniel Isn't Real proves a genuinely provocative shocker…

Review of The Man in the Trunk (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Nov 2019

Unfortunately, the film's execution doesn't quite live up to its promising set-up…

Review of White Snake (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Nov 2019

The pile-on of frenetic action sequences, especially toward the end, eventually becomes more wearisome than thrilling…

Review of Melody Makers (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Nov 2019

Revolving around the recollections of Barrie Wentzell, who served as the magazine's chief photographer from 1965 to 1975, and several of his…

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