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Last updated: 26 Jul 2026 at 21:13 UTC

Movie Reviews by Fernando F. Croce - Page 8 of 42

141-160 of 840 Reviews

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Review of The Bride Wore Black (1968)

By Fernando F. Croce (840) for Slant Magazine (8,298) on 01 Nov 2011

A frigid and oddly static procession of Hitchcockian shout-outs that plays like an affected sequel to the two filmmakers' celebrated interview book…

Review of Totally F***ed Up (1994)

By Fernando F. Croce (840) for Slant Magazine (8,298) on 29 Oct 2011

The total lack of pity and condescension carries the film over its rough spots and aimless patches…

Review of Contagion (2011)

By Fernando F. Croce (840) for CinePassion (694) on 15 Oct 2011

Plays like a humorless send-up of all-star disaster pictures…

Review of Drive (2011)

By Fernando F. Croce (840) for CinePassion (694) on 15 Oct 2011

A laboratory distillation, but a fairly ravishing one…

Review of The Phantom Carriage (1921)

By Fernando F. Croce (840) for CinePassion (694) on 25 Sep 2011

The double-exposure photography used throughout is a stupefying achievement of its own, an incantation of overlapping worlds and a visualization…

Review of The Phantom Carriage (1958)

By Fernando F. Croce (840) for CinePassion (694) on 25 Sep 2011

The double-exposure photography used throughout is a stupefying achievement of its own, an incantation of overlapping worlds and a visualization…

Review of The Phantom Wagon (1939)

By Fernando F. Croce (840) for CinePassion (694) on 25 Sep 2011

The double-exposure photography used throughout is a stupefying achievement of its own, an incantation of overlapping worlds and a visualization…

Review of Little Caesar (1931)

By Fernando F. Croce (840) for CinePassion (694) on 22 Sep 2011

Faded bronze to The Public Enemy's silver and Scarface's gold, but an enduring bedrock formation all the same…

Review of Wuthering Heights (2011)

By Fernando F. Croce (840) for House Next Door (153) on 16 Sep 2011

It's a visually forceful attempt at seizing the ardor of the novel that nevertheless pales next to the abyss of passion explored by Luis Buñuel…

Review of The Woman in the Fifth (2011)

By Fernando F. Croce (840) for House Next Door (153) on 16 Sep 2011

[An] intriguing but contrived mystery-drama…

Review of Sleeping Beauty (2011)

By Fernando F. Croce (840) for House Next Door (153) on 12 Sep 2011

Though she's clearly studied Haneke and Breillat, Leigh isn't a natural filmmaker…

Review of A Dangerous Method (2011)

By Fernando F. Croce (840) for House Next Door (153) on 09 Sep 2011

If it has a tendency to explicitly state its own themes, the film nevertheless unsettles with its lucid visions of release and repression…

Review of Le Havre (2011)

By Fernando F. Croce (840) for House Next Door (153) on 09 Sep 2011

As usual, camera moves, cuts, and gestures are boiled down to the essential, with emotion so concentrated as to give the impression of no emotion…

Review of The Ides of March (2011)

By Fernando F. Croce (840) for House Next Door (153) on 09 Sep 2011

Had it had a more complex argument on its mind than just power corrupts, it could have been more than a solid, slick entertainment…

Review of This Is Not a Film (2011)

By Fernando F. Croce (840) for House Next Door (153) on 08 Sep 2011

A master class on the relationship between subject and camera lens…

Review of The Man Who Fell to Earth (1976)

By Fernando F. Croce (840) for CinePassion (694) on 21 Aug 2011

An experiment touching on intergalactic irony and the deepest inner disconnection, a work of telescopes and microscopes…

Review of Amigo (2011)

By Fernando F. Croce (840) for Slant Magazine (8,298) on 14 Aug 2011

Amigo finds John Sayles rather closer to his worst, alternating gracelessly between fleshing out the characters caught in the middle of international…

Review of A Bill of Divorcement (1932)

By Fernando F. Croce (840) for CinePassion (694) on 03 Jul 2011

The dramaturgy is pure 19th-century, yet Cukor gives you Barrymore and the debuting Hepburn cutting through it like a couple of long-stemmed knives…

Review of Idiocracy (2006)

By Fernando F. Croce (840) for Slant Magazine (8,298) on 31 May 2011

Idiocracy is too scattershot and compromised to push the conceptual bleakness beyond the realm of lowbrow comedy, though Judge’s cultural…

Review of They Live by Night (1949)

By Fernando F. Croce (840) for CinePassion (694) on 21 May 2011

A cinema of anxiety and sensuality, with a streak of instability and a peculiar combination of the folksy and the Cocteau-abstract…

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