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Last updated: 28 Jul 2026 at 21:15 UTC

Movie Reviews by Fernando F. Croce - Page 24 of 42

461-480 of 840 Reviews

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Review of Dead Men Don't Wear Plaid (1982)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

A parlor trick, but the kind -- an inquiring jester making his way through the ghosts of cinema's past -- that gets Godard at the Moviola to…

Review of For Ever Mozart (1996)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

Art can't hold back the world's horrors in Jean-Luc Godard's grave and quizzical fugue…

Review of Hang 'em High (1968)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

Ted Post's direction is especially adroit at keeping the baroque flurries bubbling under the deceptive surface of old-pro craftsmanship…

Review of Full Moon in Paris (1984)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

Out of this Lubitschian tangle Rohmer finds Le Beau Mariage in reverse, and couches it in terms of pure rhythm still unappreciated by bookish critics…

Review of It's Always Fair Weather (1955)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

The idea is the winnowing of guys-out-together exuberance for the self-loathing in it…

Review of Heller in Pink Tights (1960)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

Cukor never loses sight of the theatricality which infuses both the fanciful incarnations of the saltimbanques and the genre conventions of…

Review of The Furies (1950)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

A decisive building block for the Stewart westerns, but with an Athena-like force of its own…

Review of Isle of the Dead (1945)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

Mark Robson's direction here reduces a country's political/spiritual unrest to pronouncements by pinned-down actors about uneasy conscience…

Review of Jet Pilot (1957)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

Sternberg uses the espionage and counter-espionage of Jules Furthman's screenplay to depict the mysteries of relationships…

Review of The Haunting (1963)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

The horror remains admirably attuned to the sense of solitude in a premature spinster…

Review of Innerspace (1987)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

For all the Amblin technology on display, Dante's greatest effects are humanistic…

Review of Dr. No (1962)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

Capably brings together Caribbean travelogue, Gropius-type architecture, and cardboard computers with danger level plaques…

Review of Fear of Fear (1975)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

A magnificently laconic distillate of taboo and conformism…

Review of India Song (1975)

By Fernando F. Croce (840) for CinePassion (694) on 05 Sep 2009

Gallic avant-gardists make great zombie movies…

Review of Hustle & Flow (2005)

By Fernando F. Croce (840) for CinePassion (694) on 04 Sep 2009

For an alleged indie hit, the film is nothing if not shrewd about audience-hooking and sensory-manipulation…

Review of Bedlam (1946)

By Fernando F. Croce (840) for CinePassion (694) on 04 Sep 2009

The feminist-political fable is couched in absorbing grey zones…

Review of Bad Day at Black Rock (1955)

By Fernando F. Croce (840) for CinePassion (694) on 04 Sep 2009

Millard Kaufman's dialogue at times sticks to the roof of the mouth, but Sturges' visual construction is minute…

Review of The Bravados (1958)

By Fernando F. Croce (840) for CinePassion (694) on 04 Sep 2009

Henry King's stroll into Anthony Mann Country is a stronger, more limber, more complex Western than The Gunfighter…

Review of The Big Risk (1960)

By Fernando F. Croce (840) for CinePassion (694) on 04 Sep 2009

Sautet's shrugging ambiguity, already piquant, already piercing…

Review of The Court-Martial of Billy Mitchell (1955)

By Fernando F. Croce (840) for CinePassion (694) on 04 Sep 2009

The only certainty that remains is the need to ask questions…

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