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Eric Kohn

Last updated: 10 Jun 2026 at 12:26 UTC

Movie Reviews by Eric Kohn - Page 12 of 61

221-240 of 1,203 Reviews

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Review of The Mountain (2017)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

This somber and lyrical achievement is the warmest and most inviting work from a director who traffics in an acquired taste…

Review of The Little Stranger (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

Abrahamson seems so coy about the haunting of the Ayres’ house that he refuses to allow the movie’s strongest aspect to take center stage,…

Review of The Mountain (2019)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

This somber and lyrical achievement is the warmest and most inviting work from a director who traffics in an acquired taste…

Review of Roma (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 29 Aug 2018

Roma is by far the most experimental storytelling in a career filled with audacious (and frequently excessive) gimmicks…

Review of Too Late to Die Young (2019)

By Eric Kohn (1,203) for indieWire (3,631) on 14 Aug 2018

It’s an impressive illustration of a director in command of the medium, but more than that, points to the potential in whatever she does next…

Review of The Meg (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 07 Aug 2018

Statham remains an appealing summer movie fixture, but sharks deserve better than this…

Review of Never Goin' Back (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 31 Jul 2018

Less moment-to-moment funny than committed to a sustained pitch of devilish glee, Never Goin’ Back couches its silliness in a credible milieu…

Review of Billionaire Boys Club (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 26 Jul 2018

It’s intermittently engaging as a B-movie, but so often strives for something more that it never finds a satisfying tone…

Review of The Spy Who Dumped Me (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 25 Jul 2018

One of those late-summer releases that’s just good enough to make you wish it were better, The Spy Who Dumped Me aims to please every step…

Review of Mandy (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 13 Jul 2018

[A] hypnotic midnight movie, which veers from astonishing, expressionistic exchanges to gory mayhem without an iota of compromise…

Review of The Night Eats the World (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 10 Jul 2018

Even as the story drifts off, Night Eats the World derives its power from a beguiling, provocative implication: It’s hard to confront a hostile…

Review of Skyscraper (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 09 Jul 2018

Skyscraper plays out like a metaphor for diminishing returns — Johnson keeps climbing, higher and higher, until there’s nowhere left to…

Review of The First Purge (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 02 Jul 2018

The First Purge is another absurd B-movie, uneven and ludicrous across the board, but altogether transfixing for the way it funnels Trump-era…

Review of Ant-Man and the Wasp (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 26 Jun 2018

The essence of Ant-Man is inherently silly, and that’s where the strength of the new movie lies…

Review of Skate Kitchen (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 18 Jun 2018

Without breaking a lot of new ground, the result is one of the more positive depictions of millennial community-building in recent cinema…

Review of Sunday's Illness (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 15 Jun 2018

It’s a powerful look at the durability of parent-child bonds as well as a fascinating psychological thriller about what it takes to heal…

Review of Jurassic World: Fallen Kingdom (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 04 Jun 2018

The Fallen Kingdom is at its worst when attempting topicality (the testosterone-fueled Wheatley refers to one of our heroes as a “nasty woman”)…

Review of Happy as Lazzaro (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 17 May 2018

The movie lulls you into its unpredictable rhythms, and a striking poetry creeps into the material, finally overtaking it…

Review of The Man Who Killed Don Quixote (2018)

By Eric Kohn (1,203) for indieWire (3,631) on 17 May 2018

It's clear that Gilliam developed a genuine relationship to this material from his own creative yearning…

Review of Burning (2018)

By Eric Kohn (1,203) for IndieWire (3,631) on 17 May 2018

Burning keeps twisting back on itself, charting the path of a man waking up to the world, only to find that it won’t stop messing with him…

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Eric Kohn has written reviews for:

Indiewire (3,631)
Premiere (771)
New York Press (561)
Reverse Shot (113)

Eric Kohn is connected to:

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