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Last updated: 13 Jun 2026 at 19:11 UTC

Movie Reviews by Eric Henderson - Page 7 of 19

121-140 of 366 Reviews

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Review of Brick Mansions (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 23 Apr 2014

Only the very charitable would characterize this strain of providence as anything other than dumb, or at least incredibly forgetful…

Review of Transcendence (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 16 Apr 2014

If you programmed an algorithm to figure out how The Lawnmower Man might be retold by Snake Plissken at the conclusion of Escape from L.A.,…

Review of Rio 2 (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 07 Apr 2014

The net effect is a shapeless would-be diversion in which things just happen independently, a string of effects missing any cause…

Review of Captain America: The Winter Soldier (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 01 Apr 2014

Despite one or two moments of Venture Brothers-worthy fancy, the film is as by-the-numbers as any this series has ever offered…

Review of Noah (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 27 Mar 2014

Once the money shots of Darren Aronofsky's version recede, it becomes ever more clear that his intention is to tackle the capriciousness of…

Review of Noah (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 27 Mar 2014

Once the money shots of Darren Aronofsky's version recede, it becomes ever more clear that his intention is to tackle the capriciousness of…

Review of Muppets Most Wanted (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 18 Mar 2014

Freed from the burden of starting anew, the film restores the Muppets' rightful place as stars of their own show…

Review of Divergent (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 16 Mar 2014

The film transcends the déjà vu of its borrowed trappings but ironically sacrifices all momentum in favor of a long series of physical tests…

Review of Mr. Peabody & Sherman (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 05 Mar 2014

The film spent roughly a dozen years in development, and the moronic, corporate detritus from that long time warp is strewn about like so many…

Review of Interior. Leather Bar. (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 04 Mar 2014

With Travis Mathews's help, James Franco's persona forms a kind of symmetry: 1980's dubious homophobia against 2013's risible homophilia…

Review of RoboCop (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 11 Feb 2014

Ultimately the film is, like the Faux News programming it caricatures at face value, a deck-stacking simulation of a dialogue it isn't even…

Review of The Wolf of Wall Street (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 16 Dec 2013

Martin Scorsese's keyed-up, irreverent tone frequently fails to distinguish itself from the grunting arias sung by the oily paragons of commerce…

Review of Black Nativity (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 25 Nov 2013

For anyone who prefers their assertive homilies to crust over like a syrupy sweet, this loose adaptation of Langston Hughes's beloved holiday…

Review of Diana (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 08 Nov 2013

Are the micro-biopics that don't even bother to provide overviews of their famed subjects' entire lives, but instead lean on the spectacle…

Review of I Am Divine (2014)

By Eric Henderson (366) for Slant Magazine (8,298) on 21 Oct 2013

Though it may boil down to your average procession-of-talking-heads template, it's still enlivened by the raucous words from the band of outsiders…

Review of Carrie (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 16 Oct 2013

In focusing on predominately kid-gloves portrayals of her teen players, Kimberly Peirce never properly addresses the machinery behind their…

Review of Carrie (2002)

By Eric Henderson (366) for Slant Magazine (8,298) on 16 Oct 2013

In focusing on predominately kid-gloves portrayals of her teen players, Kimberly Peirce never properly addresses the machinery behind their…

Review of Gravity (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 28 Sep 2013

Alfonso Cuarón's triumph is an invigoratingly clean, elegant display of action choreography, a La Région Centrale you can still take grandma to see…

Review of Cloudy with a Chance of Meatballs 2 (2013)

By Eric Henderson (366) for Slant Magazine (8,298) on 25 Sep 2013

This sequel strenuously works to form a total inversion of the first movie's relationship with food…

Review of The Hills Have Eyes (1977)

By Eric Henderson (366) for Slant Magazine (8,298) on 25 Sep 2013

Craven's latent sick streak gets a major workout here, and the rudest shocks seem to center around the good family's parental figures…

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