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Last updated: 04 Jun 2026 at 22:41 UTC

Movie Reviews by Emily Yoshida - Page 8 of 12

141-160 of 237 Reviews

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Review of Hostiles (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 15 Dec 2017

Hostiles is a brutal if well-intentioned film that doesn’t help its cause with its lack of development of its Native characters…

Review of The Tribes of Palos Verdes (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 04 Dec 2017

It’s a gorgeous-looking, sensitively edited film to be sure, but never finds a dramatic foothold, no matter how many manic arguments and…

Review of Voyeur (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 30 Nov 2017

By its close, Voyeur spouts some lines about how we all like to watch, and we are left with three documents of the Voyeur’s Motel and no…

Review of The Man Who Invented Christmas (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 24 Nov 2017

An altogether warm, sharp, and unobjectionable family holiday film…

Review of Brimstone & Glory (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 22 Nov 2017

Brimstone & Glory, in a lean 67 minutes of cinematic poetry, bears that love out in dizzying extremes…

Review of Darkest Hour (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 17 Nov 2017

Everyone seems to be a walking embodiment of an essence, not cartoons exactly, but something more totemic…

Review of Mudbound (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 16 Nov 2017

Mudbound could have easily turned out as a kind of dusty, respectable period drama that looks important while advancing nothing, but it exceeds…

Review of Coco (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 15 Nov 2017

One of the films best visual treats are its alebrijes, the colorful fantastical creatures from Mexican folk art, rendered here as electrically…

Review of A Fantastic Woman (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 14 Nov 2017

I just wish Vega and Lelio let us in a little more to see her as an individual, aside from the hostility she encounters…

Review of Daddy's Home 2 (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 09 Nov 2017

This is a toxic, not at all benign film made for the enjoyment of everyone still oblivious to the fact that this kind of worldview is crashing…

Review of A Gray State (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 09 Nov 2017

It’s intermittently successful, but even in its more meandering moments it is a gripping, almost unbearably dark watch…

Review of Princess Cyd (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 02 Nov 2017

Not a lot happens in Princess Cyd, but it's hard not to watch this film without feeling changed…

Review of A Bad Moms Christmas (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 01 Nov 2017

A Bad Moms Christmas is a film about women trapped in a bleakly infantilizing suburban hellscape with horrible lighting, whose only idea about…

Review of Jigsaw (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 26 Oct 2017

Watching Jigsaw go about his torture business is about as interesting as watching a child burn ants — a dumb and ugly waste of energy, resources…

Review of Thank You for Your Service (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 24 Oct 2017

Thank You for Your Service is a more critical film than most in this milieu, and it’s refreshingly honest about mental-health issues…

Review of Only the Brave (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 23 Oct 2017

Only the Brave feels like a film that would have made sense coming from Peter Berg or Michael Bay, but Kosinski mostly pulls back on the macho…

Review of All I See Is You (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 22 Oct 2017

As a psychological not-quite thriller, it’s consistently entertaining; as a visual exercise, it’s more adventurous than most would be…

Review of Joan Didion: The Center Will Not Hold (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 22 Oct 2017

Her ability to take in the chaos and darkness of the ’70s and find some kind of acceptance through her writing is what makes her as relevant…

Review of Leatherface (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 17 Oct 2017

The effect of the film is the same as the deflating effect of explaining a joke; it completely miscalculates the phenomenon of the audience's…

Review of Breathe (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 14 Oct 2017

It’s a plenty good story to tell, but even by the time the respirator takes its last gasp, I was ultimately unmoved…

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