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Last updated: 04 Jun 2026 at 14:19 UTC

Movie Reviews by Emily Yoshida - Page 5 of 12

81-100 of 237 Reviews

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Review of Shock and Awe (2017)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 11 Jul 2018

The problem isn’t Reiner taking dramatic liberties with the facts, it’s that his toolbox for doing so hasn’t changed since the mid-’90s…

Review of Sicario: Day of the Soldado (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 24 Jun 2018

When Day of the Soldado truly wallows in violence, it does so exquisitely, with the kind of hopelessness that film violence, especially around…

Review of The Gospel According to André (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 19 Jun 2018

It feels like the self-admittedly emotionally bottled Talley is ready to talk about all of it. It’s too bad his biographer is less so…

Review of Tag (2018)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 13 Jun 2018

The doubt about what is real and what isn’t has permeated so much of the film that when things take a turn for the serious in the final act,…

Review of Hotel Artemis (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 11 Jun 2018

Ultimately, in all its artifice and haphazard but enthusiastic invention, Hotel Artemis makes me a bit nostalgic for French ’90s genre fare…

Review of Alex Strangelove (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 06 Jun 2018

Alex Strangelove is a little stylistically unambitious, nor is it terribly compelling as a romance — who Alex ends up with is ultimately…

Review of Shoplifters (2018)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 04 Jun 2018

Every scene adds another onion-skinlike layer, adding density and mass so slowly that you hardly notice the emotional weight of it all until…

Review of Ocean's Eight (2018)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 04 Jun 2018

I left Ocean’s 8 more convinced than ever that no amount of fierce, fantastic female ensembles can overcome the mediocrity of a dull male director…

Review of Adrift (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 31 May 2018

Adrift is enough of a boilerplate piece of survival drama that you know to expect those beats more or less coming on schedule, but Woodley…

Review of A Kid Like Jake (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 30 May 2018

It’s remarkable how engaging and light on its feet the director and cast are able to keep this subject matter, how much permission he gives…

Review of Upgrade (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 30 May 2018

A great and grimy little screw-turner of sci-fi schlock, the kind that they truly don’t make anymore, the kind that would make Carpenter…

Review of Ibiza (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 23 May 2018

Ibiza doesn’t have the strength of wit and character to suffice as a hangout vacation movie, and it has zero idea how to be a romantic comedy,…

Review of The Man Who Killed Don Quixote (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 20 May 2018

There's enough of a germ of something in Don Quixote that you find yourself shaking your head by its climax, wondering, wait, what were we…

Review of Whitney (2018)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 18 May 2018

Two biographical documentaries in, and it still feels like we’re in need of a Houston film that digs into her music first, and the hows and…

Review of On Chesil Beach (2018)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 17 May 2018

Unfortunately McEwan, adapting his own work, and first-time director Dominic Cooke, have a hard time rendering the touchy, interior subject…

Review of Capernaum (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 17 May 2018

It’s a deeply assured piece of direction, and though it only plays a few emotional notes, they are ones that won’t soon leave your memory…

Review of Burning (2018)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 17 May 2018

There is so much fascinating, underplayed tension running through Burning…

Review of Book Club (2018)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 16 May 2018

As it turns out, Book Club is only tangentially “about” the Fifty Shades trilogy, and that’s what makes it so smart…

Review of Burning (2018)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 16 May 2018

There is so much fascinating, underplayed tension running through Burning…

Review of The House That Jack Built (2018)

By Emily Yoshida (237) for New York Magazine (Vulture) (3,519) on 15 May 2018

The film’s most offensive qualities have nothing to do with its grotesque violence and displays of human mutilation, but its terminal navel-gazing…

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