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Last updated: 21 Jul 2026 at 01:43 UTC

Movie Reviews by Elisabeth Vincentelli - Page 2 of 3

21-40 of 44 Reviews

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Review of Mr. Saturday Night (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 10 Dec 2021

Maggio ends his story in the early 1980s, even though Stigwood lived until 2016. He is thinking small about a man who used to dream big…

Review of Everybody's Talking About Jamie (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 17 Sep 2021

Jonathan Butterell’s film, now streaming on Amazon, is a charmer, every bit as sunny, confident and ultimately compelling as Jamie himself…

Review of Everybody's Talking About Jamie (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 17 Sep 2021

Jonathan Butterell’s film, now streaming on Amazon, is a charmer, every bit as sunny, confident and ultimately compelling as Jamie himself…

Review of Come from Away (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 10 Sep 2021

This amiable production’s temperature never rises above lukewarm: good sentiments are, unfortunately, difficult to dramatize, an issue compounded…

Review of The Boy Behind the Door (2020)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 29 Jul 2021

Charbonier and Powell, themselves childhood friends from Detroit, focus on the boys’ allegiance to each other with an unwavering focus…

Review of Woodstock 99: Peace, Love, and Rage (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 23 Jul 2021

Much of the footage is hair-raising, especially the women being groped and the mobs of young white men whipping themselves into a frenzy of…

Review of Awake (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 09 Jun 2021

There is no getting around it: Mark Raso’s Awake is bad…

Review of Boss Level (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 05 Mar 2021

Roy grows as a killer over the course of the movie, which involves an increasingly tedious amount of repetitive violence played for laughs…

Review of Shook (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 18 Feb 2021

Shook is done in by its final reveal, which manages to be simultaneously improbable and conventional…

Review of Shook (2021)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 18 Feb 2021

Shook is done in by its final reveal, which manages to be simultaneously improbable and conventional…

Review of Rogue City (2020)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 30 Oct 2020

Violent, law-defying cops would be a tough sell at any time, but “Rogue City” is oblivious to the changed context surrounding their stories…

Review of What the Constitution Means to Me (2020)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 23 Oct 2020

Schreck succeeds in widening her autobiographical play into a paean for basic fairness: The American Constitution, admired as it is, fails…

Review of The Beach House (2020)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 08 Jul 2020

After a dillydallying slow start, Brown ratchets up the tension efficiently, summoning a mix of gross-out body invasion, eco-mutation and large-scale…

Review of Lost Bullet (2020)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 25 Jun 2020

For a director with no feature-length experience prior to this, Pierret pulls off an entertaining, well-staged action flick that does much…

Review of Spenser Confidential (2020)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 06 Mar 2020

The prospect of spending more time with this crew is not a bad one…

Review of Lady and the Tramp (2019)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 14 Nov 2019

The movie is middle-of-the-road rather than bad — hard to hate and harder to love…

Review of Little Monsters (2019)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 10 Oct 2019

The charismatic Nyong’o is easily the best part of this feeble Australian horror comedy…

Review of Tall Girl (2019)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 18 Sep 2019

A big problem is that the students are all affluent and status-obsessed, but the film has no temperament for self-examination: Instead of a…

Review of Point Blank (2019)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 18 Jul 2019

If anything, the film emanates a startling ineptitude, unable as it is to clear some basic standards of craftsmanship…

Review of Point-Blank (2019)

By Elisabeth Vincentelli (44) for The New York Times (9,847) on 18 Jul 2019

If anything, the film emanates a startling ineptitude, unable as it is to clear some basic standards of craftsmanship…

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Elisabeth Vincentelli has written reviews for:

The New York Times (9,847)
New York Post (6,650)

Elisabeth Vincentelli is connected to:

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