Movie Reviews by Ela Bittencourt - Page 2 of 2

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Review of Aftermath (2014)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 28 Oct 2013

The film isn't so much about the moral atrophy of people who refuse to come to terms with their past as it is about cosmic karma passed from…

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Review of Aftermath (2013)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 28 Oct 2013

The film isn't so much about the moral atrophy of people who refuse to come to terms with their past as it is about cosmic karma passed from…

Read Review

Review of Aftermath (2013)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 28 Oct 2013

The film isn't so much about the moral atrophy of people who refuse to come to terms with their past as it is about cosmic karma passed from…

Read Review

Review of Aftermath (2013)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 28 Oct 2013

The film isn't so much about the moral atrophy of people who refuse to come to terms with their past as it is about cosmic karma passed from…

Read Review

Review of American Promise (2013)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 14 Sep 2013

The documentary's lack of a cohesive thesis may frustrate at times, but its power lies in its exposition of the mundane…

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Review of Philip Roth: Unmasked (2013)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 13 Mar 2013

In spite of the film's exhaustive chronology, those who deduce from its title that they're in for an unveiling, or an unraveling, of a major…

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Review of Neighboring Sounds (2012)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 19 Aug 2012

The images, while beautiful, are sentimental, as if Kleber Mendonça Filho is trying to negotiate too much…

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Review of The Invisible War (2012)

By Ela Bittencourt (29) for House Next Door (153) on 12 Jun 2012

Kirby Dick shows a great commitment to the stories of individual women…

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Review of Oslo, August 31st (2011)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 19 Mar 2012

The evocation of things ending suffuses the film with melancholy, as Anders increasingly becomes an observant rather than a participant in…

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