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Last updated: 13 Jun 2026 at 17:43 UTC

Movie Reviews by Diego Semerene - Page 7 of 11

121-140 of 203 Reviews

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Review of Dorfman in Love (2013)

By Diego Semerene (203) for Slant Magazine (8,298) on 21 Mar 2013

The film's moral lesson is too contradictory to be taken seriously…

Review of Clip (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 15 Mar 2013

A raw, sophisticated, and stomach-turning look at what it means to be a young woman in Serbia, what it means to be a woman tout court…

Review of Downeast (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 09 Mar 2013

An exposé of how the financial structures that make businesses possible in America seem to conspire against genuine good will and non-self-serving…

Review of Yossi (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 24 Jan 2013

The film is at its finest as a catalogue of Yossi's unspoken ache, less so when it begins to flirt with the clichés of the love story…

Review of Any Day Now (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 12 Dec 2012

Its most redeeming quality is that it isn't so quick to neuter its queer characters into a package-friendly gay couple aesthetic a la Modern Family…

Review of In Our Nature (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 07 Dec 2012

In Our Nature's visual style seems plastered on or allocated, not developed with any sort of authorial singularity…

Review of King Kelly (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 28 Nov 2012

The film decides very early on, as part of its premise, to reduce Louisa Krause's King Kelly to a one-dimensional narcissist…

Review of Walk Away Renee (2011)

By Diego Semerene (203) for Slant Magazine (8,298) on 27 Nov 2012

It's Jonathan Caouette's insistence in going back to his nightmarish old footage, or the old footage that he purposefully renders nightmarish,…

Review of Starlet (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 08 Nov 2012

The film works as a charming aesthetic exercise with its jerky camera and inadvertent cuts, as a contemplation on intergenerational female bonding…

Review of Sassy Pants (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 17 Oct 2012

Sassy Pants has a slightly ludic atmosphere akin to another tale of teen alienation, Dear Lemon Lima, but it unfolds like a fable in which…

Review of My Worst Nightmare (2011)

By Diego Semerene (203) for Slant Magazine (8,298) on 16 Oct 2012

The hilarity of the film creeps up slowly and from every angle, not through the facile immediacy of short-lived laughter…

Review of The Iran Job (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 11 Oct 2012

Though there's something refreshing, and disturbingly familiar, about Kevin Sheppard's spontaneity, he's certainly not the most interesting…

Review of Bel Borba Aqui (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 30 Sep 2012

There's no pointing toward something other than the work itself, no poetic digression, no suggestion of a conceptual dimensionality to the…

Review of BearCity 2: The Proposal (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 27 Sep 2012

Doug Langway's film is often too cheesy to, well, bear…

Review of Diana Vreeland: The Eye Has to Travel (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 20 Sep 2012

The film captures Vreeland's perhaps unwitting philosophical integrity just as much as it drowns us in the exuberance of her work…

Review of Green (2011)

By Diego Semerene (203) for Slant Magazine (8,298) on 05 Sep 2012

The mumblecore dialogue can be annoying, but along with the excellent score, it actually serves this tense haziness well…

Review of The Inbetweeners Movie (2011)

By Diego Semerene (203) for Slant Magazine (8,298) on 03 Sep 2012

Oh, the hilarious awkwardness of placing privileged white kids in a place where they don't belong…

Review of Craigslist Joe (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 29 Jul 2012

As hard as he tries, we never truly believe there's a lot at stake for Garner, who seems to cruise through America like a gringo taking a favela…

Review of 30 Beats (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 18 Jul 2012

While it lends itself to some interesting insight on the politics of non-exclusive, fuck-buddy dynamics, its characters are ultimately too…

Review of The Samaritan (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 18 May 2012

The Samaritan treads a fine line between film-noir moodiness and crime-thriller triteness, mostly settling for the latter…

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Page 7 of 11

Diego Semerene has written reviews for:

Slant Magazine (8,298)

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