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Last updated: 26 Jul 2026 at 09:50 UTC

Movie Reviews by Deborah Young - Page 4 of 12

61-80 of 235 Reviews

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Review of Chauranga (2016)

By Deborah Young (235) for Hollywood Reporter (2,966) on 06 Dec 2017

Both young actors are naturals horsing around on camera…

Review of The Villainess (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 15 Nov 2017

The flurry of characters takes a long time to get straight, and identification is made even harder by the nervous handheld camerawork and rapid-fire…

Review of Newton (2017)

By Deborah Young (235) for Hollywood Reporter (2,966) on 15 Nov 2017

Both exasperating and endearing in the title role, Rao again shows he is a chameleon actor whose gift for poker-faced comedy revs up the figure…

Review of In Between (2018)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 29 Oct 2017

After watching Maysaloun Hamoud’s sparkling, taboo-breaking first feature In Between (Bar Bahar), audiences will have to seriously update…

Review of In Between (2018)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 29 Oct 2017

After watching Maysaloun Hamoud’s sparkling, taboo-breaking first feature In Between (Bar Bahar), audiences will have to seriously update…

Review of Foxtrot (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 09 Oct 2017

Maoz doesn't seem to worry about losing some puzzled viewers along the way with comprehension issues…

Review of Gutland (2018)

By Deborah Young (235) for Hollywood Reporter (2,966) on 17 Sep 2017

It fascinatingly blurs the line between fantasy and reality, from the eerie intro all the way through to a surprise finale that raises goosebumps…

Review of The Leisure Seeker (2018)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 16 Sep 2017

A road movie short on comedy and drama should at least offer a keen level of observation, but here insight is scarce and emotional resonance is faint…

Review of Our Souls at Night (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 16 Sep 2017

Both Redford and Fonda are charming, delicate and convincing as Addie Moore and Louis Waters, the couple who find each other at the tail end…

Review of Stronger (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 15 Sep 2017

Perhaps the most striking thing about David Gordon Green’s Stronger is how it refuses to turn its subject into a hero or even a small-time…

Review of Professor Marston and the Wonder Women (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 15 Sep 2017

Many rough edges are smoothed by the strong acting and well-done tech work…

Review of Manhunt (2017)

By Deborah Young (235) for Hollywood Reporter (2,966) on 12 Sep 2017

It's the kind of cartoonish film where, no matter what the odds and how many bullets are flying at our heroes, they never get seriously injured…

Review of Indivisible (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 11 Sep 2017

Side-stepping what could have been a cheap, morbid peek into the lives of two beautiful teenagers who were born joined at the hip, Indivisible…

Review of Ex Libris: The New York Public Library (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 11 Sep 2017

Never talking down to his audience, he rather pulls them up to an intellectual level where other filmmakers fear to go…

Review of Human Flow (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 08 Sep 2017

Shot in 23 countries, the film has an amazing breadth and a relentless moral drive that will make it a reference point for this subject, whatever…

Review of On Chesil Beach (2018)

By Deborah Young (235) for Hollywood Reporter (2,966) on 07 Sep 2017

This film of delicate emotional nuance recounts an enchanting but sad love story…

Review of Happy End (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 26 May 2017

Even admitting that films like Cache (Hidden), The White Ribbon and Amour have raised the bar higher and higher, Happy End feels like it’s…

Review of In the Fade (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 25 May 2017

Following the fizzle of his coming-of-ager Goodbye Berlin (Tschick) last year, Fatih Akin bounces back and bounces high with an edge-of-seat…

Review of Claire's Camera (2018)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 23 May 2017

Feeling more spontaneous and improvised than ever, this tale of chance encounters at a big film festival is easy on the eye and strewn with…

Review of Sea Sorrow (2017)

By Deborah Young (235) for Hollywood Reporter (2,966) on 16 May 2017

Shot with undeniable intensity but rather less technique, the film has an uneasy lack of structure as it circles around topics and returns…

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