Movie Reviews by Deborah Krieger - Page 2 of 3

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Review of 1971 (2014)

By Deborah Krieger (41) for The Stake (Minnesota) (2) on 26 Jul 2018

The film is entertaining; there are many small moments of humor to be found in the tense situations, and audiences are satisfied to see the…

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Review of Steve Jobs (2015)

By Deborah Krieger (41) for The Stake (Minnesota) (2) on 26 Jul 2018

You will be delighted by the first act, as I was, and then have to sigh gently as you are let down by the weaknesses of the following two segments…

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Review of Zoe (2018)

By Deborah Krieger (41) for Bust Magazine (182) on 23 Jul 2018

Details are drowned in the tortured love story, which does McGregor, a normally incredibly appealing and captivating actor, precisely zero favors…

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Review of Hearts Beat Loud (2018)

By Deborah Krieger (41) for Bust Magazine (182) on 01 Jul 2018

Offerman is strong in his role, and Kiersey Clemons is a star in the making, if not already…

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Review of Seeing Allred (2018)

By Deborah Krieger (41) for Bust Magazine (182) on 01 May 2018

The most striking parts of the movie depict Allred's impeccable, downright admirable composure in every combative situation in which she finds…

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Review of Maya Dardel (2017)

By Deborah Krieger (41) for Bust Magazine (182) on 04 Jan 2018

Perhaps it's not the most exciting or invigorating film, but as a thesis statement, it's certainly worthwhile…

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Review of The Florida Project (2017)

By Deborah Krieger (41) for Bust Magazine (182) on 08 Nov 2017

The Florida Project is ultimately a beautiful, rough portrait of childhood set against the backdrop of the remains of the dreams of adults,…

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Review of Professor Marston and the Wonder Women (2017)

By Deborah Krieger (41) for Bust Magazine (182) on 19 Oct 2017

If anything, Professor Marston demonstrates the need for more portrayals of a diverse range of relationships and romances, because then the…

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Review of Columbus (2017)

By Deborah Krieger (41) for Bust Magazine (182) on 20 Sep 2017

Aside from Wes Anderson movies (most notably The Grand Budapest Hotel), I'd never seen a movie that took such care in composing each and every shot…

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Review of The Queen of Spain (2016)

By Deborah Krieger (41) for Paste Magazine (2,906) on 06 Sep 2017

Tonally, the movie can never quite find its footing…

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Review of This Beautiful Fantastic (2016)

By Deborah Krieger (41) for Bust Magazine (182) on 09 Aug 2017

This Beautiful Fantastic wants to have it both ways: the odd-duck, pretty girl who changes the lives of the men around her for the better,…

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Review of Mascots (2016)

By Deborah Krieger (41) for Paste Magazine (2,906) on 14 Jun 2017

The jokes land for the most part, but nothing in Mascots provokes the same actual humor of Guest's other works…

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Review of Carrie Pilby (2017)

By Deborah Krieger (41) for Bust Magazine (182) on 07 Jun 2017

Watching Carrie Pilby try to navigate her life is often cringeworthy for me in particular, but that desire to cringe and cover my face with…

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Review of Embers (2015)

By Deborah Krieger (41) for The Mary Sue (174) on 25 May 2017

A beautifully shot film (shot on an Alexa camera), combining a heavy emphasis on close-ups of the actors' faces with wide, textured visuals…

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Review of Tramps (2016)

By Deborah Krieger (41) for Bust Magazine (182) on 24 May 2017

Tramps is overall a winning film, proving once again that some of the best romantic comedies can be light on plot: all we need is an excuse…

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Review of I Don't Feel at Home in This World Anymore (2017)

By Deborah Krieger (41) for Bust Magazine (182) on 26 Apr 2017

The disjointedness that characterizes the earlier parts of the film and makes Ruth's misanthropy seem so grounded and relatable shifts into…

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Review of Jackie (2016)

By Deborah Krieger (41) for Bust Magazine (182) on 23 Feb 2017

Pablo Larraín's direction ties every loose strand together with ease and grace, his camera condemning, challenging, coaxing out meaning, and…

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Review of Other People (2016)

By Deborah Krieger (41) for Bust Magazine (182) on 05 Jan 2017

Chris Kelly's Other People [is] empathetic, drily humorous, and based in part on his own life…

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Review of Divines (2016)

By Deborah Krieger (41) for Bust Magazine (182) on 08 Dec 2016

These girls are allowed to be obscene, rude, messy, and flawed, leading to an exhilarating and ultimately heartbreaking viewing experience…

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Review of Arrival (2016)

By Deborah Krieger (41) for Bust Magazine (182) on 15 Nov 2016

Arrival champions the importance of being able to work with and understand one another without resorting to violence, even in the face of the…

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