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David Lewis

Last updated: 05 Jun 2026 at 09:09 UTC

Movie Reviews by David Lewis - Page 5 of 15

81-100 of 299 Reviews

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Review of In Between (2016)

By David Lewis (299) for San Francisco Chronicle (7,630) on 13 Feb 2018

An engaging, revelatory slice of life, In Between follows three Palestinian women in Tel Aviv - kind of a Sex and the City and Girls for the Arab set…

Review of Vazante (2018)

By David Lewis (299) for San Francisco Chronicle (7,630) on 24 Jan 2018

Savagely lyrical, Vazante offers a harsh, impressionistic take on slavery in 19th century Brazil…

Review of Insidious: The Last Key (2018)

By David Lewis (299) for San Francisco Chronicle (7,630) on 04 Jan 2018

In the end, it’s left to Shaye to carry the film, and she does so with aplomb…

Review of Dealt (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 29 Nov 2017

This is a movie that has lots of magic, in more ways than one…

Review of God's Own Country (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 09 Nov 2017

A stirring romance between an emotionally stifled sheep farmer and an irrepressible Romanian migrant worker, isn’t shy about paying homage…

Review of The Departure (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 02 Nov 2017

The Departure is an excellent example of a filmmaker finding a perfect wavelength with her main character…

Review of All I See Is You (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 25 Oct 2017

The best thing about All I See Is You is that it’s not afraid to experiment…

Review of Serenade for Haiti (2016)

By David Lewis (299) for San Francisco Chronicle (7,630) on 25 Oct 2017

None of the subjects - or themes - end up making much of an impression…

Review of Bending the Arc (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 17 Oct 2017

It’s a rousing, feel-good story about overcoming barriers, even when the challenges — poverty, lack of medical access — are inherently bleak…

Review of Human Flow (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 17 Oct 2017

Human Flow is often like seeing a travelogue of the world, juxtaposed with a desperate sea of humanity in search of a better — and safer — life…

Review of Take Every Wave: The Life of Laird Hamilton (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 10 Oct 2017

Take Every Wave remains entertaining because of Hamilton’s awe-inducing skill on the ocean, and his determination to ride the waves as long…

Review of The Untold Tales of Armistead Maupin (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 27 Sep 2017

…

Review of Kingsman: The Golden Circle (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 20 Sep 2017

Despite all the mayhem, “The Golden Circle” often feels slow and belabored, particularly in its middle section, when inspiration is nowhere…

Review of First They Killed My Father (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 13 Sep 2017

Jolie has crafted an intimate epic about a tough war subject that probably would have gone unmade without her humanitarian influence and star…

Review of Beach Rats (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 06 Sep 2017

The bold, masterful Beach Rats, one of the most exquisitely haunting LGBT coming-of-age stories ever told, takes place in the unhip fringes…

Review of The Villainess (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 05 Sep 2017

Director Byung-gil Jung, a trained stuntman, is an expert in staging action set-pieces, and for fans of dazzlingly violent shootouts on motorcycles…

Review of Hare Krishna! The Mantra, the Movement and the Swami Who Started It All (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 15 Aug 2017

It’s so uncritical of its subject that it has the unintended effect of undermining its mission, which appears to be recruiting new devotees…

Review of Good Time (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 15 Aug 2017

In the end, the whole enterprise comes off as too clever for its own good, a social satire without a clear target…

Review of The Only Living Boy in New York (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 09 Aug 2017

The best thing about “Living Boy” is the performance of Cynthia Nixon, who plays Thomas’ emotionally unstable mother…

Review of Columbus (2017)

By David Lewis (299) for San Francisco Chronicle (7,630) on 08 Aug 2017

The quietly stirring, exquisitely photographed Columbus is an art-house gem that beautifully illuminates not only the architecture of a small…

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