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Last updated: 09 Jul 2026 at 20:43 UTC

Movie Reviews by David Ehrlich - Page 9 of 62

161-180 of 1,229 Reviews

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Review of The Unforgivable (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Nov 2021

In practice, mincing up the miniseries’ plot without losing any of its main ingredients — and even adding several new ones to the mix,…

Review of House of Gucci (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Nov 2021

Locked in a heated conversation with its own campiness from the moment it starts, 'House of Gucci' leverages that underlying conflict into…

Review of Kurt Vonnegut: Unstuck in Time (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 Nov 2021

If “Unstuck in Time” offers an erudite and affectionate portrait of its subject despite being so oddly generic, Weide shares his own frustrations…

Review of The Feast (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Nov 2021

Despite its refined palate and dashes of local flavor, The Feast remains empty calories — haunting only for how it seems to admit as much…

Review of The Feast (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 18 Nov 2021

Despite its refined palate and dashes of local flavor, The Feast remains empty calories — haunting only for how it seems to admit as much…

Review of Licorice Pizza (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Nov 2021

In Licorice Pizza, time isn’t something that keeps people apart — it’s the only thing that allows them to find each other in the first…

Review of Swan Song (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Nov 2021

At its core, this is an iPod-shiny parable about the pain of being left behind, and one that — like so much of the best sci-fi — poignantly…

Review of The Beta Test (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Nov 2021

In a film that barely has a grasp over its own hare-brained conspiracy and often feels like an extension of the mental breakdown that its protagonist…

Review of Love Hard (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Nov 2021

Like most of Netflix’s seasonal assembly line of yuletide fare, “Love Hard” is both too well-cast for the Hallmark Channel and too half-assed…

Review of Red Notice (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Nov 2021

While the movie sometimes hides behind its own derivativeness in lieu of daring to play things straight — the references fly fast and furious…

Review of Finch (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Nov 2021

A broadly safe film like “Finch” might roll into its destination with an ease that belies the risks of getting there, but sometimes the…

Review of A Mouthful of Air (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Oct 2021

Koppelman’s attempts to do too much are easy to forgive in a film that often seems to be doing so little…

Review of The Spine of Night (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Oct 2021

Even if The Spine of Night struggles to align its overarching story with the anthology-like shape that it takes, it’s still rare and rewarding…

Review of Eternals (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Oct 2021

By making such an unadventurous movie about how crisis breeds creativity, Marvel effectively illustrates why even the most independent-minded…

Review of Hard Luck Love Song (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Oct 2021

Justin Corsbie’s debut would buy you a drink if you couldn’t afford one, hustle you for a hundred bucks in the backroom if you could, and…

Review of Mayor Pete (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 15 Oct 2021

Moss’ spry but often superficial film purports to explore what it’s like for an actual human being to run for the highest office in the…

Review of Bright: Samurai Soul (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Oct 2021

The novelty lies in the animation, a “good in theory” attempt to combine the hand-etched texture of traditional Japanese woodblock printing…

Review of The First Wave (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Oct 2021

It’s hard to predict what value this documentary will retain in the future (or if it will just disappear into the content void, where history…

Review of Hit the Road (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Oct 2021

A beautifully tender comedy that tears your heart in half with a featherlight touch — a film that swerves between tragedy and gallows humor…

Review of The Harder They Fall (2021)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Oct 2021

This tense, propulsive, and ultra-glossy Netflix oater might lay a thick new Jay-Z track over the opening credits (of a film that he also produced)…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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