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Last updated: 09 Jul 2026 at 17:08 UTC

Movie Reviews by David Ehrlich - Page 6 of 62

101-120 of 1,229 Reviews

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Review of Three Thousand Years of Longing (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 20 May 2022

In fact, the two stars are so sweet and searching together — their characters’ respective power and mutual solitude pulling them together…

Review of Armageddon Time (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 19 May 2022

It’s a story about the invisible fault lines of inequality, the moral compromises demanded by the American Dream, and the very practical…

Review of Operation Mincemeat (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 May 2022

When Operation Mincemeat slows down enough to see into those shadows — when the film slows down enough to leverage the fictions its characters…

Review of Top Gun: Maverick (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 12 May 2022

Stainless where the original was musty, neutered where the original was soft-core (there isn’t a single gratuitous shower scene in this sequel,…

Review of The Takedown (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 May 2022

In a Netflix movie that’s so breezy and enjoyable because of its complete lack of stakes, Leterrier’s approach gets the job done…

Review of Doctor Strange in the Multiverse of Madness (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 May 2022

Raimi succeeds with “Multiverse of Madness” because he fights the battles he can win, and he does so in a way that feels instructional…

Review of Human Factors (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 May 2022

Trocker’s second feature (following 2016’s “The Eremites”) never quite manages to make good on its gamesmanship and only allows itself…

Review of Memory (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2022

Everyone in Campbell’s movie — from the director all the way down to his supporting cast — deserves better than this…

Review of The Mystery of Marilyn Monroe: The Unheard Tapes (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2022

Cooper’s film does no independent research of its own, and therefore can’t possibly offer any tidbits that weren’t first reported in…

Review of Memory (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2022

Everyone in Campbell’s movie — from the director all the way down to his supporting cast — deserves better than this…

Review of Memory (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2022

Everyone in Campbell’s movie — from the director all the way down to his supporting cast — deserves better than this…

Review of White Hot: The Rise & Fall of Abercrombie & Fitch (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Apr 2022

Cathartic and outrageous as it can be to hear the juicy — but wildly unsurprising — details of how Abercrombie operated behind the scenes,…

Review of Metal Lords (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Apr 2022

Metal Lords may never find the rhythm a movie like this needs in order to stay in the sweet spot between goofy and charming, but there’s…

Review of Father Stu (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 13 Apr 2022

As a critic who’s professionally obligated to reckon with the latest trends in Christian cinema, I have to admit that Wahlberg’s R-rated…

Review of The Northman (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Apr 2022

It’s not like this movie is a punishing chore; it’s not like Eggers doesn’t want multiplex audiences to like it. And they will…

Review of Return to Space (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 07 Apr 2022

The film’s scattershot focus — in stark contrast to the breathless immediacy of “The Rescue” — and advertorial tone diminish the…

Review of The Bubble (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 31 Mar 2022

Apatow gets a lot of shit for making scattershot comedies that run the length of David Lean epics, but the patchwork of scenes that comprise…

Review of Moonshot (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 31 Mar 2022

At heart, it’s a story you’ve seen countless times before — often told on a much larger scale…

Review of All My Friends Hate Me (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Mar 2022

Inspired by a rush of paranoia that Stourton once experienced at a wedding where he felt unwelcome, All My Friends Hate Me effectively splits…

Review of Infinite Storm (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Mar 2022

Despite the refreshingly experiential flavor of Szumowska’s approach, her film is handcuffed by the facts of its true story, and Pam remains…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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