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Last updated: 09 Jul 2026 at 14:04 UTC

Movie Reviews by David Ehrlich - Page 4 of 62

61-80 of 1,229 Reviews

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Review of My Best Friend's Exorcism (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 30 Sep 2022

My Best Friend’s Exorcism isn’t funny enough to get away with so few genuine scares, and it isn’t scary enough to save most of its biggest…

Review of Vesper (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Sep 2022

By the time this highly evocative work of low-budget sci-fi arrives at its eye-opening final scene, the clearest takeaway is that our only…

Review of Amsterdam (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Sep 2022

A star-studded new historical comedy that’s amusing at best, noxious at worst, and frantically self-insistent upon its own negligible entertainment…

Review of Good Night Oppy (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Sep 2022

While depicting a landmark moment in humanity’s efforts to understand our place in the universe, Good Night Oppy renders the rovers’ journeys…

Review of Devotion (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Sep 2022

Devotion can be stiff and hackneyed at the best of times — it’s nothing if not a war movie that has seen too many other war movies —…

Review of Causeway (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 14 Sep 2022

This could all feel schematic in lesser hands, but Neugebauer gives Lawrence and Henry the space they need to make the film’s characters…

Review of The Fabelmans (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Sep 2022

I’d say this playful yet nakedly personal coming-of-auteur epic was trying to split the difference between memoir and crowdpleaser, but it…

Review of Return to Seoul (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Sep 2022

It’s the rare movie that can drop a long-take dance sequence into the middle of a pressing conversation without seeming the least bit mannered…

Review of The Eternal Daughter (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Sep 2022

Where Hogg’s last two movies saw the filmmaker tracing a version of herself from memory, this one sees her tracing a memory from a version…

Review of The Banshees of Inisherin (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 05 Sep 2022

This isn’t a film that strives for big laughs — McDonagh seems more interested in putting you in a particular frame of mind, even when…

Review of Empire of Light (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

It’s wonderful that Mendes spent the pandemic making a movie about the irreplaceable vitality of movie theaters — even going so far as…

Review of Aftersun (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

A stunning debut that develops with the gradual poignancy of a Polaroid, Charlotte Wells’ Aftersun isn’t just an honest movie about the…

Review of Aftersun (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 04 Sep 2022

A stunning debut that develops with the gradual poignancy of a Polaroid, Charlotte Wells’ Aftersun isn’t just an honest movie about the…

Review of Women Talking (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Sep 2022

Hard as it might be to imagine, Women Talking is an upbeat and propulsive film cut with a sharp wit and a ready sense of humor, even if its…

Review of Athena (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Sep 2022

Athena effectively taps into the class, racial, and religious angers of modern France, which it sees as a powder keg that’s just waiting…

Review of BARDO, False Chronicle of a Handful of Truths (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Sep 2022

With “Bardo,” Iñárritu delivers a cartoonishly indulgent film about the fact that he makes cartoonishly indulgent films — a rootless…

Review of TÁR (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Sep 2022

TÁR is a provocation full of slow-motion suckerpunches and the driest of laughs (even its accented title is a knowingly pretentious in-joke)…

Review of White Noise (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 31 Aug 2022

Baumbach is ultimately too in sync with DeLillo for “White Noise” to escape from the shadow of its monolithic source material, as movie…

Review of White Noise (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 31 Aug 2022

Baumbach is ultimately too in sync with DeLillo for “White Noise” to escape from the shadow of its monolithic source material, as movie…

Review of Bullet Train (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 02 Aug 2022

Pitt’s stardom has never been more obvious, and it shines bright enough here for everything else to get lost in the glare…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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