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Last updated: 10 Jul 2026 at 19:38 UTC

Movie Reviews by David Ehrlich - Page 35 of 62

681-700 of 1,229 Reviews

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Review of Psychokinesis (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Apr 2018

Psychokinesis doesn’t leave you with much more than a bittersweet feeling about it all, but it’s an appropriately different takeaway from…

Review of Here and Now (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2018

For an homage boasting a far more fatal outlook than Varda’s original, it’s frustrating and kind of perverse that Blue Night should be so gentle…

Review of Zoe (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 27 Apr 2018

If we ever truly sympathize with Doremus’ nebulous characters, it’s only because they help us appreciate how painful it can be to spend…

Review of Zoe (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 26 Apr 2018

If we ever truly sympathize with Doremus’ nebulous characters, it’s only because they help us appreciate how painful it can be to spend…

Review of State Like Sleep (2019)

By David Ehrlich (1,229) for indieWire (3,631) on 24 Apr 2018

Meredith Danluck’s State Like Sleep doesn’t really go anywhere, but it lulls you into enough of a stupor to enjoy the time it takes to get there…

Review of Mapplethorpe (2019)

By David Ehrlich (1,229) for indieWire (3,631) on 23 Apr 2018

This runaway train of a biopic renders an iconoclast in the most generic of terms, straining Mapplethorpe’s brief life into a series of bullet-points…

Review of Woman Walks Ahead (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 23 Apr 2018

The film suffers enormously from its slippery grasp of history, all of its narrative thrust slipping through the cracks between fact and fiction…

Review of In a Relationship (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 22 Apr 2018

What Sam Boyd’s tender and winning debut feature lacks in originality and ambition, it makes up for in honesty and charm…

Review of Diane (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 22 Apr 2018

It's a pinhole portrait of life on Earth; a non-judgmental story about trying to reconcile meaning with meaningless before the well runs dry…

Review of Diane (2019)

By David Ehrlich (1,229) for indieWire (3,631) on 22 Apr 2018

It’s a pinhole portrait of life on Earth; a non-judgmental story about trying to reconcile meaning with meaningless before the well runs…

Review of Here and Now (2018)

By David Ehrlich (1,229) for indieWire (3,631) on 19 Apr 2018

For an homage boasting a far more fatal outlook than Varda’s original, it’s frustrating and kind of perverse that Blue Night should be so gentle…

Review of I Feel Pretty (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Apr 2018

Not exactly the first movie that’s ever dared to suggest that it’s what’s on the inside that counts, I Feel Pretty at least has the decency…

Review of The Devil and Father Amorth (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 17 Apr 2018

The exorcism itself is the least entertaining thing about the movie, even though it eats up a sizable and unbroken chunk of the 68-minute running…

Review of Come Sunday (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Apr 2018

The movie that’s happening in Ejiofor’s eyes is far more wracked and compelling than the one that Marston shows us through his own…

Review of Rampage (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Apr 2018

What does Rampage have…

Review of 6 Balloons (2018)

By David Ehrlich (1,229) for IndieWire (3,631) on 09 Apr 2018

Based on the experiences of producer Samantha Housman, 6 Balloons is too short and stunted to leave much of an impression, but the film convincingly…

Review of Blaze (1989)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Apr 2018

Foley never wanted to be a star, shining only for itself. He wanted to be a legend, and live forever…

Review of Big Fish & Begonia (2016)

By David Ehrlich (1,229) for indieWire (3,631) on 05 Apr 2018

Chun's life is literally spent on other people, but the beauty her actions create for the film and inspire from its characters is often powerful…

Review of Acorn and the Firestorm (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 04 Apr 2018

Reuben Atlas and Sam Pollard’s convincing but unfocused documentary “ACORN and the Firestorm” firmly contextualizes the group’s targeted…

Review of Juliet, Naked (2018)

By David Ehrlich (1,229) for Indiewire (3,631) on 30 Mar 2018

Welding the flow and logic of a romantic comedy to the faintly ridiculous soul of a melodrama, the film is never clear about whose story its…

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Page 35 of 62

David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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