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Last updated: 10 Jul 2026 at 12:31 UTC

Movie Reviews by David Ehrlich - Page 23 of 62

441-460 of 1,229 Reviews

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Review of Midway (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 06 Nov 2019

If the film’s story is steered by a hard-nosed focus on the large and small of what actually happened, the way Emmerich tells it feels more…

Review of Jesus Is King (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 25 Oct 2019

Equal parts reverent and narcissistic, humble and grandiose, this Nick Knight-directed curio is both a tribute to the Lord and a testament…

Review of The Kill Team (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Oct 2019

As lucid and intense as it is underwritten, his second crack at the Maywan District murders might be much less nuanced than his first, but…

Review of The Elephant Queen (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Oct 2019

For all of the film’s strange omissions, and its struggles to thread the needle between appealing to children and trying to show them how…

Review of Tell Me Who I Am (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 24 Oct 2019

It’s hard to imagine a more crystalline look at the suppleness of someone’s self-identity (and the moral dilemma of someone else choosing…

Review of Terminator: Dark Fate (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 22 Oct 2019

“Dark Fate” might close the door on the “Terminator” franchise, but every dull frame of it suggests that we’ll be trapped in that…

Review of Jay and Silent Bob Reboot (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 16 Oct 2019

A satire of sequels, remakes, and (of course) reboots that always happens to be all three of those things, Jay and Silent Bob Reboot is both…

Review of Jexi (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Oct 2019

What we’re left with is a benign, artless, nothing of a movie that feels cobbled together with the same app-driven, gig-economy mentality…

Review of Fractured (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 11 Oct 2019

A(nother) disposable Netflix thriller that fails to do anything with its potentially clever premise, Brad Anderson’s Fractured isn’t the…

Review of Mister America (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 10 Oct 2019

Mister America is the kind of comedy that can pivot from lethargic to legendary on the turn of a dime (if only for a minute or two)…

Review of Little Monsters (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 08 Oct 2019

The action that clutters the last hour of this movie is never compelling enough to feel like anything more than a bloody distraction, but the…

Review of Zeroville (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Oct 2019

As a book, Zeroville was a profound and intoxicating testament to the mythic power of images…

Review of Low Tide (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Oct 2019

If Low Tide recedes all too fast, it still leaves behind a clear sense that life doesn’t always happen on schedule, and that the hardest…

Review of Midnight Traveler (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Oct 2019

It’s a project that was made to restore a certain way of seeing; to punch a hole through the screen that separates people from the reality…

Review of Sweetheart (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Oct 2019

What this potent micro-dose of a movie lacks in showmanship, it makes up for in purity and resourcefulness and a rugged performance from Kiersey…

Review of In the Tall Grass (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Oct 2019

In the Tall Grass is just a few minutes old before the emptiness beneath its Escherisms creeps up into the soil, and the movie only grows more…

Review of Low Tide (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Oct 2019

If Low Tide recedes all too fast, it still leaves behind a clear sense that life doesn’t always happen on schedule, and that the hardest…

Review of Sweetheart (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Oct 2019

What this potent micro-dose of a movie lacks in showmanship, it makes up for in purity and resourcefulness and a rugged performance from Kiersey…

Review of Memory: The Origins of Alien (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 03 Oct 2019

Caught somewhere between a genealogy project, an oral history, and an in-depth video essay about the iconic scene that seared “Alien” into…

Review of Making Waves: The Art of Cinematic Sound (2019)

By David Ehrlich (1,229) for IndieWire (3,631) on 29 Sep 2019

Making Waves” is smartly articulated and arranged, with Costin breaking the film down into the various disciplines of sound design in order…

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David Ehrlich has written reviews for:

Time Out (7,510)
The A.V. Club (5,644)
Rolling Stone (4,035)
Indiewire (3,631)
Little White Lies (3,136)
Boxoffice Magazine (2,896)
AV Club (2,778)
Slate (2,081)
Film.com (1,892)
The Dissolve (1,478)

David Ehrlich is connected to:

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