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Daniel Nava

Last updated: 25 Jul 2026 at 14:20 UTC

Movie Reviews by Daniel Nava - Page 4 of 5

61-80 of 97 Reviews

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Review of The Square (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 27 Oct 2018

Its slights become increasingly less important to me compared to its affecting, memorable strengths…

Review of The Disaster Artist (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 27 Oct 2018

This is a hollow and condescending exercise that invites you to poke fun at something that was only fleetingly funny on an ironic level…

Review of Lady Bird (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 27 Oct 2018

I'm not one of spiritual inclinations, but a film like Lady Bird gets really close to getting to the heart of things…

Review of Wonderstruck (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 27 Oct 2018

It may not be his most elegant film, but it beats heavy on the drums of all the anxieties and preoccupations that Haynes is synonymous for…

Review of Early Man (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 21 Oct 2018

Nick Park's Early Man is as beguiling as previous Aardman Animation films…

Review of Annihilation (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 21 Oct 2018

Alex Garland's Annihilation does what most sophomore directorial efforts tend to do: get bigger, more ambitious, and a little more complicated…

Review of Golden Exits (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 21 Oct 2018

there's a sophistication to Golden Exits that makes it harder to isolate. It confronts its characters in harsh, unforgiving ways…

Review of Happy End (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 21 Oct 2018

There's not an undamaged person in Happy End…

Review of The Death of Stalin (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 21 Oct 2018

an astonishing exercise in tone management, as it alternates from violent political fatalism to absurdist satirical comedy…

Review of mid90s (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 21 Oct 2018

The combination of this film's cast, milieu, and remarkable soundtrack offers something overwhelmingly, even embarrassingly, recognizable…

Review of Phantom Thread (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 21 Oct 2018

Courage, of the Phantom Thread variety, is less a matter of tangible objects and action than something ephemeral…

Review of Diane (2019)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 09 Oct 2018

Leaving me to remark with the blasé, but capital T True statement that Diane is one of the best American films of 2018…

Review of United Skates (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 09 Oct 2018

[an] exceedingly entertaining and genuinely revealing look into a roller-skating subculture that I frankly knew next to nothing about…

Review of Diane (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 09 Oct 2018

Leaving me to remark with the blasé, but capital T True statement that Diane is one of the best American films of 2018…

Review of First Man (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 07 Oct 2018

a scattershot examination on loneliness and American exceptionalism that can sometimes be thoughtful, sometimes dull, but mostly feels hollow…

Review of Tully (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 06 Oct 2018

The flim-flam mode of filmmaking that has defined Reitman's recent trajectory remains steadfast…

Review of Unsane (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 06 Oct 2018

Long after the film is over, it's Foy's presence…

Review of Lean on Pete (2018)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 06 Oct 2018

Unlike with Haigh's previous films, Weekend and 45 Years, this is the first time where I found the filmmaker's penchant for ambiguity to work…

Review of Revenge (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 06 Oct 2018

Coralie Fargeat's Revenge, an overly stylized and banal riff on Abel Ferrara's Ms. 45, mistakes ambiguity for profundity…

Review of Revenge (2017)

By Daniel Nava (97) for Chicago Cinema Circuit (97) on 06 Oct 2018

Coralie Fargeat's Revenge, an overly stylized and banal riff on Abel Ferrara's Ms. 45, mistakes ambiguity for profundity…

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Page 4 of 5

Daniel Nava has written reviews for:

Chicago Cinema Circuit (97)

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