Movie Reviews by Clint Worthington - Page 3 of 15

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Review of Meet Me in the Bathroom (2022)

By Clint Worthington (295) for Consequence (296) on 12 Apr 2022

Vibes can only take you so far, and Southern and Lovelace’s dreamlike approach keeps us from having a firm grip on the chronology of the…

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Review of The Northman (2022)

By Clint Worthington (295) for Consequence (296) on 11 Apr 2022

On its own, it’s still an incredible achievement, amplifying a blood-soaked adventure epic in the haunting specters of witchcraft and folklore…

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Review of The Bubble (2022)

By Clint Worthington (295) for Consequence (296) on 31 Mar 2022

The Bubble works in fits and spurts, especially in its first half…

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Review of Everything Everywhere All at Once (2022)

By Clint Worthington (295) for Consequence (296) on 24 Mar 2022

Amid all the razor-thin editing, constantly shifting film stocks and styles, and purposefully opaque worldbuilding lies a curiously personal,…

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Review of Windfall (2022)

By Clint Worthington (295) for Consequence (296) on 18 Mar 2022

Windfall has all the ingredients for an unusual crackerjack thriller: a game trio of actors putting in solid work (and, in Segel’s case,…

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Review of Tony Hawk: Until the Wheels Fall Off (2022)

By Clint Worthington (295) for Consequence (296) on 16 Mar 2022

Skating fans and Hawk aficionados will find a lot to like…

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Review of Apollo 10½: A Space Age Childhood (2022)

By Clint Worthington (295) for Consequence (296) on 16 Mar 2022

The result is sleepy and somewhat solipsistic, but that’s part of the charm of a Linklater joint, especially the personal ones…

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Review of Deep Water (2022)

By Clint Worthington (295) for Consequence (296) on 15 Mar 2022

Lyne’s return to the sweat-soaked stage trades bodice-ripping intrigue for repetitive boredom and psychosexual mind games with a straightforward…

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Review of Bigbug (2022)

By Clint Worthington (295) for Consequence (296) on 11 Feb 2022

It’s impressive what Jeunet is able to pull off with a shoestring budget, but the ideas and characters underpinning his visual imagination…

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Review of 2nd Chance (2022)

By Clint Worthington (295) for Consequence (296) on 29 Jan 2022

Formally, it doesn’t reinvent the wheel…

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Review of Emily the Criminal (2022)

By Clint Worthington (295) for Consequence (296) on 26 Jan 2022

There’s a lot to sink your teeth into with Emily the Criminal, between its strong Plaza turn and a pitch-black moral core that refreshingly…

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Review of You Won't Be Alone (2022)

By Clint Worthington (295) for Consequence (296) on 26 Jan 2022

With its painterly, brutal beauty and folk-horror underpinnings, it’s tempting to dismiss Stolevski’s You Won’t Be Alone as “Terrence…

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Review of Dual (2022)

By Clint Worthington (295) for Consequence (296) on 24 Jan 2022

The results are deliciously off-kilter, even if the sci-fi world Stearns has created is somewhat clumsily reverse-engineered to make his central…

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Review of Breaking (2022)

By Clint Worthington (295) for Consequence (296) on 23 Jan 2022

There’s little to latch on here apart from its purpose as an actor’s showcase for Boyega, Beharie, and Williams, and its bittersweet status…

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Review of Don't Look Up (2021)

By Clint Worthington (295) for Consequence (296) on 07 Dec 2021

The biggest problem with McKay’s stuff is that he thinks he’s the next Paddy Chayefsky, bringing down untold wisdom from on high and proclaiming…

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Review of Nightmare Alley (2021)

By Clint Worthington (295) for Consequence (296) on 02 Dec 2021

It may not have the sharp edges of a classic ’40s noir, but del Toro’s softer touch invites us in like one of Stan’s credulous marks…

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Review of House of Gucci (2021)

By Clint Worthington (295) for Consequence (296) on 22 Nov 2021

By all means, watch it for Gaga doing The Most, or Leto pulling out the most eye-poppingly bad performance of the year with every falsetto…

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Review of Licorice Pizza (2021)

By Clint Worthington (295) for Consequence (296) on 16 Nov 2021

It’s undoubtedly one of the best films of the year, and of Anderson’s career…

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Review of Home Sweet Home Alone (2021)

By Clint Worthington (295) for Consequence (296) on 11 Nov 2021

While it’s probably got some of the best production value since the last theatrically-released entry in the series (1997’s Home Alone 3),…

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Review of The Last Duel (2021)

By Clint Worthington (295) for Consequence (296) on 08 Oct 2021

The Last Duel is a testament to male self-delusion and self-mythologizing, and the impact it has on the women around them…

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