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Last updated: 04 Jun 2026 at 10:17 UTC

Movie Reviews by Clayton Dillard - Page 10 of 11

181-200 of 209 Reviews

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Review of Very Good Girls (2013)

By Clayton Dillard (209) for Slant Magazine (8,298) on 19 Jul 2014

Most disheartening is how the female leads aren't given ample space to develop as dynamic characters beyond the most urgent confines of the…

Review of Fanny (1977)

By Clayton Dillard (209) for Slant Magazine (8,298) on 13 Jul 2014

The characters, the sets, and the scenes all exist to propagate the notion that pleasure derives from repetition and remediation…

Review of Fanny (2013)

By Clayton Dillard (209) for Slant Magazine (8,298) on 13 Jul 2014

The characters, the sets, and the scenes all exist to propagate the notion that pleasure derives from repetition and remediation…

Review of Fanny (1932)

By Clayton Dillard (209) for Slant Magazine (8,298) on 13 Jul 2014

The characters, the sets, and the scenes all exist to propagate the notion that pleasure derives from repetition and remediation…

Review of Rage (2014)

By Clayton Dillard (209) for Slant Magazine (8,298) on 06 Jul 2014

Paco Cabezas's film is little more than a revenge relic pretending that the ethical treatise of David Cronenberg's A History of Violence never…

Review of Nothing Bad Can Happen (2013)

By Clayton Dillard (209) for Slant Magazine (8,298) on 21 Jun 2014

A film so comprehensively miscalculated in its desire to be a batshit think piece that it potentially creates a new category of offense…

Review of Yves Saint Laurent (2014)

By Clayton Dillard (209) for Slant Magazine (8,298) on 21 Jun 2014

For all of the supposed passion and anguish in Saint Laurent's clothing and relationships, Jalil Lespert consistently neglects to imbue the…

Review of Test (2014)

By Clayton Dillard (209) for Slant Magazine (8,298) on 09 Jun 2014

Adept as both timely character study and epochal drama, Test wonderfully manages fully formed humanism without sentimentality…

Review of Test (2014)

By Clayton Dillard (209) for Slant Magazine (8,298) on 08 Jun 2014

Adept as both timely character study and epochal drama, Test wonderfully manages fully formed humanism without sentimentality…

Review of A Coffee in Berlin (2012)

By Clayton Dillard (209) for Slant Magazine (8,298) on 07 Jun 2014

Jan Ole Gerster seems infatuated with his main character, but to little avail beyond reveling in his aimless despair…

Review of Trust Me (2014)

By Clayton Dillard (209) for Slant Magazine (8,298) on 03 Jun 2014

Almost none of the film's characters or scenarios escape feeling contrived under writer-director-star Clark Gregg's bizarro tonal shifts and…

Review of Trust Me (2014)

By Clayton Dillard (209) for Slant Magazine (8,298) on 02 Jun 2014

Almost none of the film's characters or scenarios escape feeling contrived under writer-director-star Clark Gregg's bizarro tonal shifts and…

Review of Borgman (2013)

By Clayton Dillard (209) for Slant Magazine (8,298) on 01 Jun 2014

An art-house con destined to make viewers who've ever used the term mindfuck as praise rack their brains trying to come up with alternate readings…

Review of The Dance of Reality (2013)

By Clayton Dillard (209) for Slant Magazine (8,298) on 18 May 2014

Alejandro Jodorowsky never manages to transcend the sense that he's indulging himself and participating in a hollow introspection unworthy…

Review of Half of a Yellow Sun (2013)

By Clayton Dillard (209) for Slant Magazine (8,298) on 11 May 2014

It falls into the trappings of middlebrow literary adaptation by finding only sporadic means to convincingly adjudicate the trauma and anguish…

Review of Stage Fright (2014)

By Clayton Dillard (209) for Slant Magazine (8,298) on 04 May 2014

Jerome Sable's debut feature couldn't be further from De Palma's delirious cinematic essays on vision and genre…

Review of Manakamana (2013)

By Clayton Dillard (209) for Slant Magazine (8,298) on 12 Apr 2014

Filmmakers Stephanie Spray and Pacho Velez insist that altered spectatorship, particularly patience and duration, is the foundation of cinematic…

Review of The Retrieval (2013)

By Clayton Dillard (209) for Slant Magazine (8,298) on 28 Mar 2014

Less old-fashioned than demure and passé, evoking the visual style and rhythms of a 1990s made-for-TV movie rather than a daring, revisionist…

Review of The Retrieval (2014)

By Clayton Dillard (209) for Slant Magazine (8,298) on 28 Mar 2014

Less old-fashioned than demure and passé, evoking the visual style and rhythms of a 1990s made-for-TV movie rather than a daring, revisionist…

Review of Black Mama, White Mama (1973)

By Clayton Dillard (209) for Slant Magazine (8,298) on 11 Apr 2007

Black Mama, White Mama became a key reference point for postmodern mash-up artists like Quentin Tarantino and Neveldine/Taylor, but the film’s…

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Clayton Dillard has written reviews for:

Slant Magazine (8,298)

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