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Last updated: 15 Jun 2026 at 09:00 UTC

Movie Reviews by Clarisse Loughrey - Page 6 of 13

101-120 of 259 Reviews

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Review of See How They Run (2022)

By Clarisse Loughrey (259) for The Independent (259) on 07 Sep 2022

The film’s so plain in its ambitions – in its sense of giddy, well-intentioned fun – that it feels a little pointless to scorn its more…

Review of Don't Worry Darling (2022)

By Clarisse Loughrey (259) for The Independent (259) on 05 Sep 2022

It is a messy, convoluted affair with some very contrived plotting…

Review of The Forgiven (2022)

By Clarisse Loughrey (259) for The Independent (259) on 01 Sep 2022

It’s obvious why this cast were attracted to The Forgiven – an actor’s most thrilling challenge is to find the brokenness hidden in between…

Review of Three Thousand Years of Longing (2022)

By Clarisse Loughrey (259) for The Independent (259) on 01 Sep 2022

What’s surprising is that, though Miller’s imagination remains entirely untarnished, Three Thousand Years of Longing stands in defiance…

Review of Nope (2022)

By Clarisse Loughrey (259) for The Independent (259) on 25 Aug 2022

Peele, really, is the magician disguised as a filmmaker. Nope is the sleight of hand so slick you’ll never question how the trick was pulled off…

Review of I Came By (2022)

By Clarisse Loughrey (259) for The Independent (259) on 22 Aug 2022

The film’s distractingly scattered in its attempt to capture the full breadth and width of its social commentary…

Review of Orphan: First Kill (2022)

By Clarisse Loughrey (259) for The Independent (259) on 15 Aug 2022

There’s a surprising amount to enjoy here, with director William Brent Bell (behind The Boy franchise, with its equally ludicrous premise…

Review of Day Shift (2022)

By Clarisse Loughrey (259) for The Independent (259) on 11 Aug 2022

And I hate to ask for this, in a world where an excess of lore has been the downfall of so many projects, but Day Shift lacks any sense of…

Review of Prey (2022)

By Clarisse Loughrey (259) for The Independent (259) on 03 Aug 2022

As its intricate hand-to-hand combat sequences play out, the crunch of bones seems to ricochet around the room you’re in – as does the…

Review of Prey (2022)

By Clarisse Loughrey (259) for The Independent (259) on 03 Aug 2022

As its intricate hand-to-hand combat sequences play out, the crunch of bones seems to ricochet around the room you’re in – as does the…

Review of Bullet Train (2022)

By Clarisse Loughrey (259) for The Independent (259) on 03 Aug 2022

Pitt’s funny here – there’s a precise comic timing to the way he shoves a venomous snake down a toilet bowl – but Bullet Train feels…

Review of Joyride (2022)

By Clarisse Loughrey (259) for The Independent (259) on 28 Jul 2022

It’s hard to treat Joyride just as a pleasant but easily disposable romp, especially when Reynolds loads up the film with so much cheap symbolism…

Review of Thirteen Lives (2022)

By Clarisse Loughrey (259) for The Independent (259) on 28 Jul 2022

The tension of Thirteen Lives is implicit, and ramps up like a vice – how long until all these people’s luck finally runs out…

Review of DC League of Super-Pets (2022)

By Clarisse Loughrey (259) for The Independent (259) on 28 Jul 2022

While the calibre of star voices here is superb, it seems odd to centre the entire film around Johnson and Hart…

Review of She Will (2022)

By Clarisse Loughrey (259) for The Independent (259) on 22 Jul 2022

It feels like She Will spends its entire runtime on the very cusp of a completed sentence…

Review of Where the Crawdads Sing (2022)

By Clarisse Loughrey (259) for The Independent (259) on 22 Jul 2022

Does the fact the film largely ignores the book’s treatise on nature and virtue absolve it of all connections to Owens’s real-life controversies…

Review of The Railway Children Return (2022)

By Clarisse Loughrey (259) for The Independent (259) on 19 Jul 2022

The Railway Children Return is part-sequel, part-remake, with a carefully selected smattering of callbacks for the fans…

Review of The Gray Man (2022)

By Clarisse Loughrey (259) for The Independent (259) on 14 Jul 2022

Everywhere looks so slick and empty that it’s impossible to differentiate any scene from your standard luxury hotel ad…

Review of Persuasion (2022)

By Clarisse Loughrey (259) for The Independent (259) on 08 Jul 2022

Above all, at no point during Carrie Cracknell’s directorial debut do you ever get the sense that anyone’s actually read Persuasion…

Review of Thor: Love and Thunder (2022)

By Clarisse Loughrey (259) for The Independent (259) on 05 Jul 2022

Of course, Ragnarok’s distinctive humour is carried over, and there’s a blissfully dumb running joke about a pair of giant, heavy metal-screaming…

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