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Chuck Bowen

Last updated: 13 Jun 2026 at 19:11 UTC

Movie Reviews by Chuck Bowen - Page 11 of 38

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Review of Assassination Nation (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 23 Sep 2018

Assassination Nation carelessly affirms the idea that all women should be able to fight back at will, and if they don’t, it’s on them…

Review of Monsters and Men (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 23 Sep 2018

Like many films tackling socially inflammatory material, Monsters and Men is constrained by its politics…

Review of Brain Damage (1988)

By Chuck Bowen (756) for Slant Magazine (8,298) on 21 Sep 2018

This gnarly gem of 1980s-era punk horror still looks and sounds a little rough, but the film and the supplements justify the plunge…

Review of Garry Winogrand: All Things Are Photographable (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 16 Sep 2018

Sasha Waters Freyer forges a poignant portrait of an artist attempting to transcend the limitations of his art by refusing to see the process through…

Review of The Land of Steady Habits (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 12 Sep 2018

Nicole Holofcener's The Land of Steady Habits often suggests the film that American Beauty might have been if the latter had been pruned of…

Review of Mandy (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 09 Sep 2018

Panos Cosmatos's film is a profoundly violent and weirdly moving poem of male alienation…

Review of Monrovia, Indiana (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 07 Sep 2018

As always with Frederick Wiseman, it’s the quotidian gestures that haunt one in Monrovia, Indiana…

Review of Blaze (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 05 Sep 2018

With Blaze, a fractured story of country music singer-songwriter Blaze Foley, director Ethan Hawke admirably battles the clichés of the musical…

Review of Bisbee '17 (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 04 Sep 2018

The film's epic canvas invigorates Robert Greene, who fuses a procedural documentary, in the key of Frederick Wiseman’s films, with tableaux…

Review of Hotel by the River (2019)

By Chuck Bowen (756) for Slant Magazine (8,298) on 04 Sep 2018

A story of a poet, Hotel by the River comes to resemble a poetry collection itself, abounding in emotional currents and grace notes that are…

Review of Grass (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 30 Aug 2018

With Grass, Hong has taken the familiar elements of his work and exploded them, fashioning a kind of lonely cinematic cubism…

Review of Shoplifters (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 29 Aug 2018

In Shoplifters, Kore-eda dramatizes the insidious and relativistic ordinariness of poverty…

Review of Papillon (2017)

By Chuck Bowen (756) for Slant Magazine (8,298) on 20 Aug 2018

This remake proffers the sort of cinematic nowhere place that's all too common of an increasingly corporate, globalized cinema…

Review of What Keeps You Alive (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 19 Aug 2018

If Hannah Emily Anderson's performance was as fully imagined as Brittany Allen's, then What Keeps You Alive might have attained the emotional…

Review of Minding the Gap (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 13 Aug 2018

Zack and Keire's stunts are action scenes that are imbued with the gravity of the participants' youth, revelry, and need to prove themselves…

Review of We the Animals (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 12 Aug 2018

In We the Animals, director Jeremiah Zagar sustains a tone of wounded nostalgia, fashioning a formalism that appears to exist simultaneously…

Review of A Prayer Before Dawn (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 06 Aug 2018

A Prayer Before Dawn is concerned above all with ensuring that we share its main character's sense of dislocation and entrapment…

Review of Elizabeth Harvest (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 05 Aug 2018

Sebastian Gutierrez's film creates an incestuous atmosphere that's reminiscent of the stories of Edgar Allan Poe…

Review of The Age of Innocence (1993)

By Chuck Bowen (756) for Slant Magazine (8,298) on 03 Aug 2018

Following Wharton's example, Scorsese accepts The Age of Innocence's flamboyantly wealthy and corrupt characters as they are without indulging…

Review of The Captain (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 25 Jul 2018

In one fashion, Robert Schwentke proves to be too complicit with his protagonist, regarding evil and human banality as stimulation…

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Page 11 of 38

Chuck Bowen has written reviews for:

Slant Magazine (8,298)
The A.V. Club (5,644)

Chuck Bowen is connected to:

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