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Last updated: 26 Jul 2026 at 15:58 UTC

Movie Reviews by Christy Lemire - Page 3 of 64

41-60 of 1,262 Reviews

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Review of Waiting for Bojangles (2021)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 02 Sep 2022

For much of its overlong running time, “Waiting for Bojangles” depicts mental illness as an adorable personality quirk, a source of good-time…

Review of The Invitation (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Aug 2022

Director and co-writer Jessica M. Thompson establishes an unsettling mood that suggests we’re about to enter a dark and twisted world…

Review of Glorious (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 18 Aug 2022

Even at a brisk 79 minutes (including credits), “Glorious” feels like an intriguing idea that’s been stretched thin to feature length…

Review of Glorious (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 18 Aug 2022

Even at a brisk 79 minutes (including credits), “Glorious” feels like an intriguing idea that’s been stretched thin to feature length…

Review of Secret Headquarters (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 12 Aug 2022

Secret Headquarters is as bland and forgettable as its title would suggest…

Review of Persuasion (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 15 Jul 2022

At least all the lush trappings you’re looking for in an Austen adaptation exist here, as the story travels from stately Kellynch Hall to…

Review of Where the Crawdads Sing (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 15 Jul 2022

While Where the Crawdads Sing is rich in atmosphere, it’s sorely lacking in actual substance or suspense…

Review of Girl in the Picture (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 06 Jul 2022

At first, the story is fascinating. Soon, it becomes dizzying. Quickly, it turns sickening. And eventually, it’s heartbreaking…

Review of The Forgiven (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 01 Jul 2022

McDonagh’s film is well-crafted throughout but ultimately has nothing fresh or insightful to say about the ugliness of white privilege…

Review of Cha Cha Real Smooth (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 17 Jun 2022

Raiff offers some impressive tonal mixtures and narrative surprises along the way, and even though his third act sags a bit, the performances—particularly…

Review of The Janes (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 08 Jun 2022

The documentary from directors Tia Lessin and Emma Pildes briskly tells the story of The Jane Collective, which helped thousands of women obtain…

Review of The Phantom of the Open (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 03 Jun 2022

With its amusing training montages, colorful supporting characters, and uplifting message of perseverance, The Phantom of the Open does exactly…

Review of Senior Year (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 13 May 2022

Senior Year takes two high-concept premises—the going-back-to-high-school movie and the waking-up-from-a-coma movie—and slams them together…

Review of Operation Mincemeat (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 11 May 2022

The story itself is so absurd and is told with enough surprises and dry humor that it’s constantly engaging…

Review of Crush (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Apr 2022

Despite the familiar settings and tropes in director Sammi Cohen’s debut feature film, Crush feels refreshingly contemporary…

Review of Crush (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Apr 2022

Despite the familiar settings and tropes in director Sammi Cohen’s debut feature film, Crush feels refreshingly contemporary…

Review of Crush (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Apr 2022

Despite the familiar settings and tropes in director Sammi Cohen’s debut feature film, Crush feels refreshingly contemporary…

Review of Crush (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 29 Apr 2022

Despite the familiar settings and tropes in director Sammi Cohen’s debut feature film, Crush feels refreshingly contemporary…

Review of The Bad Guys (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 22 Apr 2022

At the very least, The Bad Guys encourages kids not to judge a book by its cover—and maybe even read an actual book about these characters…

Review of Fantastic Beasts: The Secrets of Dumbledore (2022)

By Christy Lemire (1,262) for RogerEbert.com (5,563) on 14 Apr 2022

These “Fantastic Beasts” movies are just not good. They’re extremely OK, but never truly inspiring or transporting…

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