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Last updated: 07 Jun 2026 at 21:55 UTC

Movie Reviews by Christopher Machell - Page 3 of 17

41-60 of 333 Reviews

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Review of The Falling World (2022)

By Christopher Machell (333) for CineVue (2,163) on 05 Aug 2022

The Falling World contains moments of intrigue but a limp script and a cast of unengaging characters make this effort fall flat…

Review of Fire of Love (2022)

By Christopher Machell (333) for CineVue (2,163) on 29 Jul 2022

Its emotional structure, reconstructing Katia and Maurice’s marriage and their shared passion for exploding mountains, feels far more intuitive…

Review of All Light, Everywhere (2021)

By Christopher Machell (333) for CineVue (2,163) on 26 Jul 2022

All Light, Everywhere is, most importantly, a history of our technological attempts to offer objective views of the world…

Review of A Chiara (2021)

By Christopher Machell (333) for CineVue (2,163) on 15 Jul 2022

A Chiara is arguably Carpignano’s most accomplished work to date, pressing ever further into the interior psychologies of his characters…

Review of Thor: Love and Thunder (2022)

By Christopher Machell (333) for CineVue (2,163) on 08 Jul 2022

Sadly, Love and Thunder proves that it’s possible to have too much of a good Thor…

Review of Faya Dayi (2021)

By Christopher Machell (333) for CineVue (2,163) on 21 Jun 2022

If not in the right frame of mind, Faya Dayi is difficult to get a handle on. But that, perhaps, is the trick…

Review of Jurassic World Dominion (2022)

By Christopher Machell (333) for CineVue (2,163) on 08 Jun 2022

In an almost impressive display of ineptitude, Dominion combines the very worst vices of its predecessors in addition to a few new ones for…

Review of Bergman Island (2021)

By Christopher Machell (333) for CineVue (2,163) on 07 Jun 2022

Bergman Island is at once an ambivalent love-letter to the Swedish master director Ingmar Bergman and a charming study of the complexities…

Review of Top Gun: Maverick (2022)

By Christopher Machell (333) for CineVue (2,163) on 29 May 2022

A good two-thirds of Top Gun: Maverick is very solid, if unremarkable, but what really gets it off the ground are its top-drawer flight sequences,…

Review of Ava (2017)

By Christopher Machell (333) for CineVue (2,163) on 28 May 2022

In its totality Ava is a powerful and authentic depiction of a vital moment in a young woman’s life…

Review of Benediction (2022)

By Christopher Machell (333) for CineVue (2,163) on 19 May 2022

Its quiet visuals are at the heart of Benediction’s sense of dignity and remembrance…

Review of Benediction (2021)

By Christopher Machell (333) for CineVue (2,163) on 19 May 2022

Its quiet visuals are at the heart of Benediction’s sense of dignity and remembrance…

Review of Vortex (2022)

By Christopher Machell (333) for CineVue (2,163) on 13 May 2022

The Argentinian director’s follow-up to 2019’s Lux Æterna is a typically difficult watch, subjecting us to the grinding indignities of…

Review of Vortex (2021)

By Christopher Machell (333) for CineVue (2,163) on 13 May 2022

The Argentinian director’s follow-up to 2019’s Lux Æterna is a typically difficult watch, subjecting us to the grinding indignities of…

Review of Doctor Strange in the Multiverse of Madness (2022)

By Christopher Machell (333) for CineVue (2,163) on 07 May 2022

Is Raimi’s latest effort as rich as Spider-Man 2, as revolutionary as The Evil Dead or as fun as Drag Me to Hell? No…

Review of Playground (2022)

By Christopher Machell (333) for CineVue (2,163) on 23 Apr 2022

Both Vanderbeque and Duret give star turns here: utterly believable as brother and sister, each performance informs the other as they try to…

Review of Playground (2022)

By Christopher Machell (333) for CineVue (2,163) on 23 Apr 2022

Both Vanderbeque and Duret give star turns here: utterly believable as brother and sister, each performance informs the other as they try to…

Review of The Northman (2022)

By Christopher Machell (333) for CineVue (2,163) on 18 Apr 2022

What is most satisfying about the film is its full and non-ironic commitment to a ludicrously operatic masculinity…

Review of Benedetta (2021)

By Christopher Machell (333) for CineVue (2,163) on 18 Apr 2022

Benedetta has its cake and eats it, with gratuitous nudity and violence offered up to the audience as a base feast for the eyes…

Review of Prayers for the Stolen (2021)

By Christopher Machell (333) for CineVue (2,163) on 12 Apr 2022

Prayers for the Stolen is fundamentally an account of powerlessness, of the insidious ways that forces act invisibly, immeasurably, and often…

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Christopher Machell has written reviews for:

CineVue (2,163)
The Skinny (809)
The Quietus (3)

Christopher Machell is connected to:

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